Wine, Health, Science and Journalism: A Study in Headlines

March 10th, 2010

I consume a lot of wine news. When I say a lot, I mean literally almost everything that’s published for free on the Internet about wine “passes by my desk″ courtesy of Google Alerts, Technorati, a massive collection of RSS feeds, and more. Increasingly I get the opportunity to see how wine stories develop and spread through the Web’s news outlets, and it’s quite amazing to watch.

Recently I’ve been watching with fascination as the mainstream press does its usual unraveling of some recently released research results focused on wine drinking in women and weight gain. Specifically, I’ve been giggling at the complete lack of understanding we seem to have of the difference between correlation and causation, combined with the creative liberties of headline writing:

Moderate Drinking 'Can Keep Women Slim': The Chosun Ilbo

Glass of wine may keep women from gaining weight: New York Daily News

Bottoms up for skinnier bottoms: Independent

Women Who Consume Alcohol Gain Less Weight: Study: Huffington Post (blog)

A drink a day could help keep the pounds away: Globe and Mail

Cheers, Ladies! A Drink A Day May Keep the Pounds Away: ABC News

Moderate Drinking Linked to Weight Control: WebMD

Red Wine Lessens Obesity Risks In Females: Oneindia

Moderate drinking may curb pounds on women: Boston Herald

Women who drink moderately less likely to gain weight: USA Today

Glass Of Red Wine A Day May Keep Pounds At Bay: NPR (blog)

Study: Women who drink are less likely to gain weight: CNN

Study: Women who drink moderately tend to gain less weight in midlife: Los Angeles Times

Study: Women Who Drink Tend to Be Thinner: TIME

Why a glass a day WILL keep the doctor away…: Daily Mail

Women who drink more gain less weight: Washington Post (blog)

Alcohol 'can help women stay slim': The Press Association

Women who drink wine gain less weight?: Toronto Sun

Light Drinking Might Help Keep Women Slim: BusinessWeek

Wine may help women keep weight in check: Reuters

Moderate drinkers gained less weight than abstainers: Boston Globe (blog)

A tipple a day keeps obesity at bay: study: AFP

Women who drink wine 'less likely to gain weight': BBC News

Women who drink gain less weight than teetotallers: CTV.ca

Cheers! Wine refines the waist: Herald Sun

Wine isn't fattening, ladies!: Hindustan Times

Red wine drinkers 'gain less weight': Ireland Online

Wine doesn't make women fat, report claims: Telegraph.co.uk

Female wine drinkers at lower obesity risk: Times of India

Drink up girls: wine isn't fattening: Times Online

Wine: The new weight-loss miracle?: The Week Magazine

Wine Doesn't Make You Fat: That's Fit

Cocktails ward off the bulge: Science News

Light-to-Moderate Drinking Keeps Women Slim?: ShortNews.com

Alcohol &amp Weight Gain In Women: NewsChannel 9 WSYR

Regular and Sensible Alcohol Intake can Curb Obesity: Recent Study: eYugoslavia.com

Red alert: A few glasses of wine are good for your hips: CultureMap

Study shows women can control weight with alcohol: Examiner.com

Drink wine for slim waistline: ABH News

Women Drinkers Less Likely To Gain Weight: Visit Bulgaria

Another addition to Moderate Drinking Benefits: Weight Control: NY Breaking News.com

Moderate Drinking Could Control Weight: Tech Jackal

Daily Buzz: Want to Stay Thin? Have a Drink.: Woman's Day (blog)

Occasional drinking may help women keep weight down: 6abc.com

Study: Some Drinking Women Less Likely To Gain Weight: Ozarks First

How could boozing help you lose weight?: New Scientist (blog)

Female Drinkers Less Likely To Gain Weight: WBAL Baltimore

Females Who Drink Moderately, Gain Less Weight: Study: TopNews United States

Study: Women who drink some may weigh less: WHDH-TV

Study Shows Women Who Drink Wine Lose Weight: Portfolio.com (blog)

Drinking alcohol prevents overweight/obesity?: Food Consumer

Moderate drinking keeps women slim–study: The Money Times

Wine isn't fattening for women, study finds: decanter.com

Female Moderate Drinkers Gain Less Weight Over the Years: TestCountry.com (blog)

Drinking Alcohol May Keep You Slim: dBTechno

Alcohol Keeps the Weight Away: ToTheCenter.com (blog)

Light To Moderate Drinking Linked To Less Weight Gain In Middle Aged Women: Medical News Today

Womens' obesity risks lowered with daily drinks, study finds: McClatchy Washington Bureau

Alcohol May Help With Weight Control: FitSugar.com (blog)

Women Who Drink Moderately Gain Less Weight Than Abstainers, Study Shows: AHN | All Headline News

Wine Does Not Lead To Obesity, Research Reported: TopNews United States

Lose Weight…By Drinking Wine?: CNM News Network

Moderate alcohol link to less weight gain: Irish Health

Wine consumption reduces fat accumulation in females: TopNews

Female wine drinkers have lower obesity risk: Celebrities With Diseases

Drinking Alcohol Can Slow Weight Gain In Women: Best Syndication

Wine Keeps Women Slim, Study - Red or White Diet?: National Ledger

Moderate Drinkers Gain Less Weight, but Not Advised for Diet Plan: eMaxHealth

To your health! Women who drink red wine less likely to get fat: Examiner.com

Women who drink: Investor's Business Daily

Women Who Drink Gain Less Weight: Bru Direct

Drinking Alcohol May Help Women Stay Thin: AOL News

Women Who Are Moderate Drinkers May Gain Less Weight Than Those That Are Sober: BETTER Health Research

Study Finds Women Who Drink Wine Gain Less Weight: WDIV Detroit

Red wine may help women shed pounds: 14WFIE.com

Drinking Wine May Help Women Keep Their Figure: eFitnessNow

Alcohol can affect woman's ability to lose weight: ABC7Chicago.com

Alcohol May Help Fight Weight Gain In Women: Wine Spectator

Women Who Drink Gain Less Weight: PsychCentral.com

How to Lose Weight While Drinking: Tonic

Wine and women's weight: NHS Choices

Study Finds Wine Won't Make Women Fat: RedOrbit

Women Who Drink Moderately Seem to Gain Less Weight: CalorieLab Calorie Counter News

Women Who Drink Moderately May Gain Less Weight than Non-Drinkers: The Ledger (blog)

Moderate Drinking in Women Linked to Less Weight Gain: Medscape

Study: Red Wine Keeps Pounds Off: myGLOSS

Women Who Drink Gain Less Weight: New York Times (blog)

Wine 'unlikely to make women gain weight': Netdoctor

More good news for wine drinkers: The Economic Voice

Less weight gain by moderate-drinking women: CBC.ca

Laughable. Strange. Scary. I don′t know who said it, but it’s true that a little bit of information can be dangerous.

Original post by Alfonso Cevola

If Your Wine is Organic, Don’t Tell Consumers

March 7th, 2010

Apparently, organic wines taste better but consumers don’t think they′re worth as much money as conventionally produced wines. At least, that’s a plausible interpretation of a study conducted by a UCLA professor and her graduate student that was recently published in Business and Society, the official journal of the International Association for Business and Society.

Professor Magali Delmas and PhD candidate Laura E. Grant conducted an analysis of 13,426 wines from 1,495 California wineries for eight consecutive vintages from 1998 to 2005. The two tracked correlations between the scores of the wines, their prices, whether they were made from certified organically grown grapes, and whether the wineries broadcast their organic certification on the label.

An overview of the study published last week in Science Daily suggests they found some very interesting results. Wines made with organic grapes during the time period they studied scored higher in the Wine Spectator by a point, on average, than wines made with conventional grapes. Whether this means, in fact, that organic wines taste better is open to some debate, but the statistics seem quite clear.

Perhaps the more interesting finding, however arose when the researchers looked at the price of those wines that were “eco labeled” and those that were not. The wines that chose to prominently display their certified organic status sold for 7% less than those that didn’t. The prices used to define this gap were the suggested retail prices published alongside the scores in Wine Spectator magazine.

Assuming you believe in the economic principle that prices are set in the marketplace and reflect supply and demand, the conclusion you might draw here is that there is a significant negative value to labeling your wines as organic. Meaning, in short, that consumers don’t want to pay as much for wines labeled as such.

Economists are often let of the hook, understandably, for explaining exactly why things are the way they are. Exactly why an eco-label is a penalty rather than a plus hasn’t been determined, but I think some of it may have to do with the residual damage that early organic wines did to consumer perceptions when they hit the market in the 1980s. Many of these wines were very poorly made, and then their quality was further compromised by the lack of added sulfur dioxide, which meant that many consumers opened their bottles to find the wine fermenting for a third time. A rash of lousy wines prominently labeled as organic created a sweeping set of negative connotations that apparently the wine industry nor the American consumer has yet to leave behind.

For now, the right approach as an organic winemaker seems clear. Farm your grapes organically to make better wines, but for heaven’s sake, don’t tell your customers.

The study summarized in Science Daily was originally published about two years ago as a working paper by the American Association of Wine Economists.

Original post by Alfonso Cevola

No Country for Old Wines

March 7th, 2010

Happy 82nd, Oscar!

Have Italian wines become like cinema? Has oak become what full frontal nudity was in the 1970’s, now hackneyed and dull? Do we look for nuance in wine and film and walk away from a dark room or a disappointed table with similar letdowns?

Last night I went to visit my friend Jay the pizzaiolo, who was halting his guerilla restaurant for a few weeks of renovation. Inside the dining room, people had brought their own wines. I surveyed the tableau – Silver Oak, Kosta Browne, Caymus. I had brought a little Piedirosso, and it felt like I had just landed in America with my little satchel of handmade (and outmoded) clothes, walking onto the stage of my new life. And that is what the original wines from Italy must endure when they, too, come to America, walking the red carpet, without the sponsorship of Muccia or Donatella. Perhaps that is why some of the new, young energy of Italy, those affluent enough to send their children over to visit or to work in Napa or to take classes at Davis, have sussed out the future of the business. And it isn’t La Terra Trema time anymore. No, Italian wines have morphed into some Avatar of expectation, at least in many minds who reside in the heads of those who sit at the tables across America. And apparently in Italy, too?

I’m not going to go all sans soufre on y’all, but once again I stand on the corner of Any Given Sunday and Bloody Monday, that glorious time between reflection and heading back to the streets, and wonder if I am ever going to get back to the future?

Which begs the question, “OK, Alfonso, what do you think they want?” To which I begin by answering, “It’s not what they think they need, but it is what we need to bring back – and those are the real expressions of Italian wine, that even when winemaking was less sophisticated, those old guys ( and gals) were able to coax into the bottle.

My feeling is that it has more to do with the character of the person than the vineyard or the barrel room. The terroir of the human soul. I keep thinking of those people who still have the connection, who aren’t acting, who are living out the drama of their lives but with a realism that has been lost, in the bottle and on film, these last 20 or so years. And that is the crossroads that Italian wine teeters on, seemingly often.

Enough of the Blazing Saddles romp we have been getting, this is a High Noon moment.

How do you know you have lost something precious if you have nothing to compare that loss to? It is that way with so many things in youth. We cannot fathom the loss of a soul mate or a parent, because it hasn’t happened to us. Sure, one can read Lampedusa or Emily Dickinson or Paul Auster, but until the pin pricks your finger and you bleed, you will not know it as intimately. Viscerally.

And again, the director taps me on the shoulder and asks me to pull focus, bring it in for a close up, get to the point.

I do see light in the tunnel. The Piedirosso I brought to the pizzaiolo had been sanded with a rough grade of paper, but it had True Grit. The Primitivo we served in Marfa last week had the rough-and-tumble character of Accattone. You could almost feel the glass shards piecing your poor bare feet as you let a wine slip from the stained cup into your unbrushed teeth. Was it pleasant? It wasn’t pretty from all the make-up. It was a Giant, but it was frank. It was truthful. And that made it a beautiful thing.

What was once the key to the kingdom, getting a great revue and 90+ points or the three glasses from Gambero Rosso, all that has been rendered useless in this Mad Max world, where the rules of economics have been disco-oxygenated so trophy hunters can fill their silos. They can still have their 100 point Walk in the Clouds and drink their $300 cult wines too. When The Eclipse comes (isn’t it already here?), those with mega Euros will have plenty of oaked wines to drink with their canned foie gras in their tax deductible offshore underground shelters cellars. “I’m gonna live forever, baby remember my name.” Oh yeah.

But the cycle, when it returns, as it does, to a time when more can take pleasure in the joys of wine and in the simple satisfaction of unadulterated, accessible, drinkable wines. wines that we can really, really love. Wines that go with real food. Then maybe it will be time again for a Capra-esque return to that Wonderful Life.

And the winner is….

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Photos from Oscar nights of past

Original post by Alfonso Cevola

Vinography in the Saveur Blog Awards

March 6th, 2010

blog_awards_logo_sm.pngI found out earlier this week that Saveur Magazine had quietly launched a set of awards to bring attention to the universe of food blogs. The happen to have a wine blog category and Vinography is one of the nominees. The others are Wine Camp, Lenndevours, Good Wine Under $20, and Enobytes — all friends, and familiar company.

None of us makes a living tapping away in our respective little corners of the internet, so, apart from the enthusiasm of our individual readers, such awards are among the few bits of official validation we receive for our efforts.

If you enjoy Vinography, I′d be pleased to receive your vote — as would any of the other nominees you feel inclined to support. Unfortunately in order to vote you need to register with your e-mail address, but thankfully I believe the registration includes the option to opt out of further e-mails from Saveur.

The voting is open until April 2nd and the winners will be announced on April 5th. Please be sure to check out the food blogs that are also up for awards, as the list contains some of the best out there.

Thanks for your support.

Original post by Alfonso Cevola

Italy’s Best Wines: Tasting the Tre Bicchieri 2010

March 5th, 2010

I pride myself on my broad tastes in wine. I like wine from everywhere, and don’t believe I have a specific bias towards one region or another. However, each year, that claim is shaken a little as I emerge from what is one of the best wine tasting events held in San Francisco, The Gambero Rosso Tre Bicchieri tasting.

For those unfamiliar with the Gambero Rosso, it is essentially an organization focused on the promotion and evaluation of Italian food and wine. Each year the organization publishes a guide by the same name. The Gambero Rosso is the Italian Wine bible, and in my experience, it is the most thorough and high-quality guide to any wine region that exists in the world. The guide covers a dizzying 14,000+ wines each year from the incredibly diverse regions of Italy.

Each year the Gambero Rosso guide awards one, two, or three “Bicchieri” (or “glasses”) to wines of exceptional character and quality. From tens of thousands, there are usually a couple of hundred Tre Bicchieri wines, and every Spring Gambero Rosso brings many of them to San Francisco for the media and the trade to taste.

While I don’t love all the wines at this tasting, I am constantly amazed by the quality and individuality of these wines. I leave the tasting every year pining for many of these wines, and wishing I had the means to add them to my collection, though invariably, there are always some fantastic $15 wines that are easy to seek out and find. It’s quite a contrast to attend this tasting merely a week or two after tasting 200 barrel samples of Napa Cabernet. Comparing Napa Valley to the whole of Italy is quite unfair, of course, but the adjacency of the two tastings definitely provides the opportunity to reflect on how narrow an experience one would have if they only drank wines from Napa.

This year I was particularly taken by a number of 2005 Barolos which are hitting the market after the much vaunted 2004 vintage and not getting the attention they deserve, in my opinion. I also fell head over heels in love with yet another wine from the flanks of the volcano — my next trip to Italy absolutely must include a pilgrimage to Etna.

Without further ado, here’s what I thought of these wines.

Whites

WHITE WINES WITH A SCORE AROUND 9.5

2008 Cantina Termeno A. A. Gewürztraminer Nussbaumer, Alto Adige. $45
Pale gold in the glass, this wine has a beautifully fragrant nose of classic rose petal aromas. In the mouth it is rich and silky in texture with flavors of rose petals, orange blossom water, and a mixed bouquet of flowers that rise through an incredible finish. Click to buy.

2008 Donnafugata Passito di Pantelleria Ben Rye, Sicilia. $25
Medium gold in the glass, this wine has a nose of freshly cut cedar and orange blossoms. In the mouth it is thick and sweet but with bright acidity that buoys flavors of candied orange peel, honey, and white flowers through a beautiful finish. Wow.

2007 Livon Braide Alte, Friuli Venezia Giulia. $45
Pale blonde in color, this wine has a wonderful nose of green melon and floral aromas. In the mouth it offers rich silky textured flavors of star fruit, cucumber, and delicate white flowers that linger in a very long finish. The foundation of the wine is a deep rainwater minerality that is faint but persistent. Excellent.

WHITE WINES SCORING BETWEEN 9 AND 9.5

2008 Marisa Cuomo Costa d’Amalfi Fiorduva, Campania. $42
Pale gold in the glass, this wine has a nose of peachy and vanilla aromas. In the mouth it is zingy and floral with orange zest and rose petal flavors, which morph to more citrus notes in the very long, clean finish. Delectable.

2008 Venica & Venica Collio Sauvignon Ronco delle Mele, Friuli Venezia Giulia. $40
Palest gold in color, this wine practically explodes out of the glass with what may be the most incredibly floral set of aromas I’ve ever smelled on a wine. In the mouth it offers an incredibly delicate bouquet of mixed white flowers, from Lilly of the Valley to jasmine, all doused with rainwater and fresh green apple juice. An altogether disarming and beautiful wine. Click to buy.

NV Nino Franco Prosecco di Valdobbiadene Brut Rustico, Veneto. $18. Click to buy.
2000 Ferrari Trento Giulio Ferrari Riserva del Fondatore Brut, Trentino. $70.

WHITE WINES WITH A SCORE AROUND 9
2007 La Vis/Valle di Cembra  Ritratto Bianco, Trentino. $16
2008 Cantina Produttori San Michele Appiano A. A. Sauvignon St.Valentin, Alto Adige. $45
2006 Cantina Terlano A. A.Terlano Pinot Bianco Vorberg is., Alto Adige. $30
2008 Cantine Lunae Bosoni     Colli di Luni Vermentino Cavagino, Liguria. $??
2008 I Campi Soave Cl. Campo Vulcano, Veneto. $25
2005 Il Mosnel Franciacorta Satèn, Lombardia. $??
2007 Jermann Vintage Tunina, Friuli Venezia Giulia. $50
2008 Nino Franco Valdobbiadene Grave di Stecca Brut, Veneto. $28
2008 Planeta  Cometa, Sicilia. $??
2006 Terre Cortesi Conero Vign. Del Parco Riserva, Marche. $??
2007 Villa Sparina Gavi del Comune di Gavi Monterotondo, Piemonte. $50
2008 Volpe Pasini COF Pinot Bianco Zuc di Volpe, Friuli Venezia Giulia. $32

WHITE WINES SCORING BETWEEN 8.5 AND 9
2007 Ca’ Rugate Recioto di Soave La Perlara, Veneto. $??
2008 Cantine Lunae Bosoni Colli di Luni Vermentino Etichetta Lunae Nera, Liguria. $??
2007 Cusumano  Sàgana, Sicilia. $20
2007 Gioacchino Garofoli  Verdicchio dei Castelli di Jesi Cl. Sup. Podium, Marche. $20
2008 Ottella Lugana Sup. Molceo, Veneto. $16
2008 Pietracupa  Greco di Tufo, Campania. $25
2008 Prà Soave Cl. Monte Grande, Veneto. $30
2006 Terre Cortesi Verdicchio dei Castelli di Jesi Cl. V. Novali Ris., Marche. $??

WHITE WINES WITH A SCORE AROUND 8.5
2008 Ca’ Rugate Soave Cl. Monte Fiorentine, Veneto. $23
2002 Cesarini Sforza Trento Aquila Reale Brut Ris., Trentino. $90
2004 Guido Berlucchi & C. Franciacorta Brut Extrême Palazzo Lana, Lombardia. ?
2007 Ottella Lugana Sup. Molceo, Veneto. $25
2006 Perticaia Montefalco Sagrantino, Umbria. $50
2007 Sergio Mottura Latour a Civitella, Lazio. $18
2008 Sergio Mottura Grechetto Poggio della Costa, Lazio. $18
2008 Tenute Sella &amp Mosca  Vermentino di Gallura Monteoro, Sardegna. $??
2008 Vitivinicola Broglia Gavi del Comune di Gavi Bruno Broglia, Piemonte. $36

WHITE WINES SCORING BETWEEN 8 AND 8.5
2005 F.lli Giorgi OP Pinot Nero Brut Cl. 1870, Lombardia. $??
2002 Cavit Trento Altemasi Graal Brut Ris., Trentino. $49

Reds

RED WINES WITH A SCORE AROUND 9.5

2005 Batasiolo Barolo Boscareto, Piemonte. $75
Light ruby in the glass this wine has a wonderfully floral nose of dried flowers, herbs, and redcurrants. In the mouth it offers redcurrant and raspberry flavors that mix with dried flowers. You could call the wine delicate but for the muscular tannins that underlie the gorgeous fruit and floral qualities that linger with excellent balance in the finish.

2004 Elvio Cogno Barolo V. Elena, Piemonte. $110
Light ruby in color, this wine has an incredibly aromatic nose of cherry and cedar aromas with hints of the floral. In the mouth it is beautifully juicy with cherry, leather, cedar and redcurrant fruit supported by firm, leathery tannins and enlivened with great acidity. The wine finishes long and airy. Outstanding.

2007 Palari Faro Palari, Sicilia. $65
Light ruby in color, this wine has a nearly otherworldly nose of dried flowers and a perfect summer’s day, with an underlying brightness of fruit. In the mouth it is nothing short of stunning, with near perfect balance and acidity cradling delicate flavors of redcurrant, cherry, and again that heavenly floral quality. The faintest of tannins give some grip and body to the wine, and they have an incredible sweet aroma to them that is quite unlike any other wine I’ve had. Remarkable and compelling.

2005 Zenato Amarone della Valpolicella Cl., Veneto. $60
Dark garnet in color, this wine has a rich beautiful nose of violets and cassis fruit. In the mouth the wine offers the light sweetness of dried cherry fruit with rich chocolate covered cherry cordials and violets. The wine has an incredibly long finish that incorporates hints of spices. Stunning.

2004 Palari Faro Palaro, Sicilia. /a.

RED WINES SCORING BETWEEN 9 AND 9.5
2005 Castellare di Castellina I Sodi di San Niccolò, Toscana. $70
2005 Marchesi di Barolo Barolo Sarmassa, Piemonte.
2006 Allegrini Dedicato a Walter, Veneto. $120
2006 Barone Ricasoli Chianti Cl. Castello di Brolio, Toscana. $58
2005 Batasiolo Barolo Cerequio, Piemonte. $75
2005 Ettore Germano Barolo Cerretta, Piemonte. $80
2007 Fattoria Carpineta Fontalpino Do Ut Des, Toscana. $35
2006 Fattoria di  Felsina Fontalloro, Toscana. $??
2007 Fattoria Petrolo Galatrona, Toscana. $120
2001 Fontanafredda Barolo Lazzarito V. La Delizia, Piemonte. $110
2004 Giancarlo Travaglini Gattinara Ris., Piemonte. $??
2006 Isole e Olena Cepparello, Toscana. $70
2005 Malvirà Roero Renesio Ris., Piemonte. $60
2004 Masi Amarone della Valpolicella Cl. Campolongo di Torbe, Veneto. $120
2006 Michele Chiarlo Barbera d’Asti Sup. La Nizza Court, Piemonte. $55
2004 Oddero Barolo Mondoca di Bussia Soprana, Piemonte. $60
2007 Palari  Rosso del Soprano, Sicilia. $35
2005 Pio Cesare Barolo Ornato, Piemonte. $109
2006 Podere Le Berne Nobile di Montepulciano, Toscana. $33
2006 Podere Sapaio Bolgheri Sapaio Sup., Toscana. $45
2005 Prunotto Barolo Bussia, Piemonte. $90
2004 San Giorgio Brunello di Montalcino Ugolforte, Toscana. $65
2006 Velenosi  Rosso Piceno Sup. Roggio del Filare, Marche. $54
2005 Vietti Barolo Lazzarito, Piemonte. $150

RED WINES WITH A SCORE AROUND 9
2005 Allegrini Amarone della Valpolicella Cl., Veneto. $90
2006 Benanti Etna Rosso Serra della Contessa , Sicilia. $??
2005 Brezza & Figli Giacomo Barolo Sarmassa, Piemonte. $75
2006 Ca’ del Baio Barbaresco Asili, Piemonte. $??
2007 Cantele    Amativo, Puglia. $??
2007 Castello Monaci   Artas, Puglia. $35
2006 Donnafugata Contessa Entellina Milleunanotte, Sicilia. $90
2006 Fattoria Colle Allodole Montefalco Sagrantino Colleallodole, Umbria. $90
2006 Feudi della Medusa  Gerione , Sardegna. $80
2007 Feudo Maccari  Saia, Sicilia. $??
2004 Fontanafredda Barolo Lazzarito V. La Delizia, Piemonte. $110
2005 G. D. Vajra Barolo Bricco delle Viole, Piemonte. $??
2007 Giovanni Almondo Roero Bric Valdiana, Piemonte. $55
2007 Guerrieri Rizzardi Valpolicella Cl. Sup. Ripasso Poiega, Veneto. $??
2006 Melini Chianti Cl. La Selvanella Ris., Toscana. $25
2005 Michele Chiarlo Barolo Cerequio, Piemonte. $99
2006 Nino Negri Valtellina Sfursat, Lombardia. $45
2006 Nino Negri Valtellina Sfursat 5 Stelle, Lombardia. $70
2006 Pelissero Barbaresco Vanotu, Piemonte. $65
2007 Pietradolce  Etna Rosso Archineri, Sicilia. $35
2007 Rocca di Frassinello Baffo Nero, Toscana. n/a
2006 Serafini &amp Vidotto Montello e Colli Asolani Il Rosso dell’Abazia, Veneto. $60
2006 Tenuta Mazzolino  OP Pinot Nero Noir, Lombardia. $??
2006 Tenuta Olim Bauda Barbera d’Asti Sup. Nizza, Piemonte. $40
2006 Tenuta San Guido Bolgheri Sassicaia, Toscana. $150
2007 Tormaresca  Masseria Maime, Puglia. $40
2006 Valle Reale  Montepulciano d’Abruzzo San Calisto, Abruzzo. $38

RED WINES SCORING BETWEEN 8.5 AND 9
2006 Antinori Tignanello, Toscana. $95
2004 Antonelli - San Marco Montefalco Sagrantino Chiusa di Pannone, Umbria. $??
2006 Argentiera Bolgheri Sup. Argentiera, Toscana. $??
2007 Barone Ricasoli Chianti Cl. Brolio, Toscana. $22
2006 Barone Ricasoli Casalferro, Toscana. $51
2005 Benanti Il Drappo, Sicilia. $??
2004 Canalicchio - Franco Pacenti Brunello di Montalcino, Toscana. $??
2006 Cantine Lunae Bosoni     Colli di Luni Rosso Niccolo V, Liguria. $??
2006 Castello di Cigognola  OP Barbera Castello di Cigognola, Lombardia. $??
2006 Cesarini Sforza Chianti Cl. Villa Cafaggio Ris., Toscana. $28
2005 Còlpetrone Montefalco Sagrantino Gold, Umbria. $85
2006 Conti Zecca   Nero, Puglia. $??
2007 Di Majo Norante Molise Aglianico Contado Ris., Molise. $18
2006 Famiglia Cecchi Coevo, Toscana. $60
2007 Feudi del Pisciotto  Nero d’Avola Versace, Sicilia. $33
2004 Greppone Mazzi - Tenimenti Ruffino Brunello di Montalcino, Toscana. $75
2007 Librandi Cirò Rosso Duca Sanfelice Ris., Calabria. $23
2004 MezzaCorona  Teroldego Rotaliano Nos Ris., Trentino. $39
2006 Nino Negri Valtellina Superiore Mazer, Lombardia. $35
2004 Podere La Fortuna Brunello di Montalcino, Toscana. $??
2006 Poliziano Nobile di Montepulciano Asinone, Toscana. $??
2006 San Patrignano  Colli di Rimini Cabernet Montepirolo, Emila Romagna. $??
2006 Tenuta La Fuga Nozzole, Toscana. $??
2007 Tenuta San Guido Guidalberto, Toscana. $40
2005 Tenuta Sant′Antonio Amarone della Valpolicella Campo dei Gigli, Veneto. $125
2007 Terre del Principe Centomoggia, Campania. $??
2006 Umani Ronchi  Pelago, Marche. $99
2006 Umani Ronchi  Conero Cumaro Riserva, Marche. $52
2006 Villa Medoro  Montepulciano d′Abruzzo Colline Teramane Adrano, Abruzzo. $??

RED WINES WITH A SCORE AROUND 8.5
2006 Cantina Convento Muri-Gries A. A. Lagrein Abtei Ris., Alto Adige. $??
2007 Castello di Cigognola  Barbera Dodicidodici, Lombardia. $??
2008 Ermete Medici & Figli Reggiano Lambrusco Concerto, Emila Romagna. $21
2005 Guerrieri Rizzardi Amarone della Valpolicella Cl. Villa Rizzardi, Veneto. $??
2007 Tasca d’Almerita  Cabernet Sauvignon, Sicilia. $70
2004 Tenuta La Fuga Brunello di Montalcino, Toscana. $65
2006 Tenuta La Fuga Cabreo il Borgo, Toscana. $50
2004 Tenute Sella & Mosca Alghero Marchese di Villamarina, Sardegna. $??
2006 Villa Vignamaggio Vignamaggio, Toscana. $97

RED WINES WITH A SCORE AROUND 8
2007 Bricco Maiolica Diano d’Alba Sup. Sörì Bricco Maiolica, Piemonte. $??

Original post by Alfonso Cevola

Longing, Returning, Leaving

March 4th, 2010

A few days ago while I was foraging for lettuces and herbs in my back yard, I heard a familiar cry. At the top of a tall power line the sparrow hawk was hailing me. He was back to raise another brood, teach them to fly and then head back to wherever they go when winter returns. For me it was a hopeful sign that this very long winter might be coming to a close.

The next day I got on a plane and headed to far West Texas. An hour flight and a three hour drive led me back to Marfa for a wine dinner. The journey in is always a mind cleanse for me. From home base, the hard core urban setting, to the airport, where all of our fears are laid bare as we walk shoeless though filters poised to reveal anomalies in hope of finding evil, so that it might be rooted out. Then to a dusty, rural airport, Midland, home to my dear Uncle Lou and his family, amidst oil wells and childhood homes of world deciders. But the real purge comes in the drive from Midland to Marfa, when the landscape that is revealed sews itself in ones pocket so deeply so as not to ever be lost. There are many people at my final destination that night who are longing- longing for art, longing for love, longing for simple. One night under a universe of lights wont abate that longing, more to serve as a reminder to the city dweller that a larger universe of ideas, of Everything, is still there in spite of our tendency to narrow it down to an explanation that puts each and everyone of us in the middle of a micro-oxygenated universe of our own making.

Nothing you can know that isn’t known.
Nothing you can see that isn’t shown.
Nowhere you can be that isn’t where you’re meant to be.
It’s easy.

I have done my 200th wine dinner, again. They are like kites- trying to keep them in the air, making sure the tail doesn’t tangle, hoping the kite doesn’t tear away, and when the kite finally flies and one runs out of string and the kite sails for 30 minutes or so, to reel it in? Or let it go? This night I got the kite up in the air pretty quick, got the room where I thought I wanted to go, like some West Texas preacher testifying about the Revelations of Gaglioppo and Inzolia. The dining room, high ceilinged, like a cathedral, held the dry air. I didn’t need to shout. I started channeling the poets, Lennon, Neruda, Whitman. I had them, the tail was untangled, the wind was blowing steady, calm. And then, just like that, I let all the string out and freed the kite. To the West Texas heavens under a full moon, the last vestiges of winter under those sent whirling back to their private universes.

So we sailed up to the sun
Till we found the sea of green
And we lived beneath the waves
In our yellow submarine

Afterwards, some of the group wanted to pilgrimage out to see the Marfa lights. Having been indoctrinated in those mysteries long ago, but only recently having become a Believer, I was up for it. I have a fantasy of someone putting a bar out there, like those blue bars we used to go to in Italy in the 1990’s. A piano, dark blue lighting, a great selection of single malts and grappas. Then a window to the vast unknown in search of those famous lights. But we stood out there in the high desert, shivering, our lone companion a traffic cone that had been placed over the telescope that is used in warmer nights to seek out the origin of those mysterious lights.

Would you believe in a love at first sight
Yes, I′m certain that it happens all the time
What do you see when you turn out the light
I can’t tell you but I know it’s mine,

When I was putting the wines together on a sheet for the dinner I was searching for a way to start a conversation with the people coming to it. One of my dinner companions remarked that he recently had a dinner for 12 people and they discussed the food and the wines. A salon. Yes, of course, I would love to come back and do something like that. But this night I was imagining these five wines as lines from a Beatles Album, the Yellow Submarine, in an effort to strike a match against the imagination and start a little fire of non linear conversation. Alas, it was probably something that was meant for My Universe, perhaps too much of a stretch. Too non linear. How did one of my teachers tell me, “Al, save the imagination for the drawing tablets.”

Follow her down to a bridge by a fountain
Where rocking horse people eat marshmallow pies
Everyone smiles as you drift past the flowers
That grow so incredibly high

My experiment with wine and song having wilted, I consoled myself under that cold and deep desert night with the happiness that other teachers had cultivated a biodynamic rebellion against those who would have me be a square peg in a square hole in a cubicle somewhere in a square building. Of course, we must report back, head up the elevator and slip into the meeting, hoping that someone in that meeting will be receptive to the accounts from the front lines. As long as I don’t make them too poetic. Or out there.

Out there. Out there. As I was driving back the next day to get back to the city and a tasting of Super Tuscans and Brunello (acclimate, acclimate) I found myself wasting time, putting it off. And as I drove, the radio playing Horst’s “The Planets” made it even more difficult to leave, to return. I stopped one more time at the base, this time the traffic cone had a retiree in a Winnebago for company.

Pulling away from the highway out of Alpine, the junction, one to the Big Bend and the other back to the Big City, I had a visceral reaction. I felt sick to my stomach, maybe it was the huevos rancheros?

As I left the wilderness, returning to the power line that I always came back to, I promised myself to come back here again, for a week or more, to camp, to hike to clear out the Big City. I really, really love the desert, it is my Tuscany.

One, two, three, four
Can I have a little more?
five, six, seven eight nine ten I love you.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Lyrics by The Beatles

Original post by Alfonso Cevola

Book Review: Continued Surveillance by Jake Lorenzo

March 3rd, 2010

Review by Tim Patterson.

Wine writers love Jake Lorenzo′s stuff; many wish they could write like him, or more precisely, get away with writing like he does. It’s not so much the sheer literary quality of Jake’s “mostly true stories of the wine business,” the book’s subtitle; it’s the vantage point and the audacity.

Jake Lorenzo is the rare wine writer who views the wine world from inside the industry, not as an outside observer dispensing judgments and scores. Better yet, he freely admits that he and his friends love to get hammered–common enough among wine writers, but rarely the subject of one essay after another. This book will not tell you which vintages of what Barolos to invest in, but it may well make you want to get ripped.

Compounding the fun, Jake is a man of mystery on two levels. He’s a “wine detective,” looking into what’s really going on under the surface and why things work the way they do. But he’s also a fiction, a nom de vin for Lance Cutler, a veteran Sonoma winemaker (including a long stretch at Gundlach-Bundschu) and wine writer (often for technical- trade magazines). Jake’s “mostly true tales” involve not only his family and various true-life wine industry folks but his imaginary eating-and-drinking buddy Chuy Palacios, chef/owner of the Burrito Palace, and Dr. Iggy Calamari, a certifiably mad scientist and inventor of the wine-powered heart pacemaker.

See why the rest of us wish we had Jake′s/Lance′s gig?

The 60 or so short pieces that make up this collection, Jake’s third, originally appeared in Wine Business Monthly, for which Lance also writes techie winemaking articles. The book is dedicated to “cellar rats and wine salesmen,” without whom “there is no wine business.” Several pieces celebrate the endless hard work that goes into harvesting, crushing, fermenting, pressing, barreling and bottling hundreds of thousands of tons of grapes every year; the sheer manual labor of winemaking often escapes the folks whose hardest job is handling obdurate corks. Several pieces revolve around rants against high wine prices and extravagant restaurant markups.

Jake really gets going when he’s popping corks and sitting down to eat. Several gargantuan eating and drinking marathons are recounted in loving detail. One piece is a kind of ode to the three-hour lunch; another furnishes the Burrito Palace Emergency Preparedness Basic Provisions Kit, which includes, among many other things, masa flour, pinto beans, Bombay Sapphire gin, Centinela Reposado tequila, rendered duck fat, canned escargot, and two changes of underwear.

After all the bouts of wretched excess, Jake ends up with more hangovers than a Philip Marlowe detective. Jake’s wine consumption may help explain why one particular essay about the exploits of a transcontinental society of hedonists shows up twice, in two different sections of the book, under two titles. It’s a good enough read, and certainly creative editing.

Few topics fit the conventional wine writing mold. Several are set in the aftermath of Hurricane Katrina and the devastation of New Orleans Oscar Peterson’s piano wizardry gets mentioned more than once. Unexpected or far-fetched analogies drive many of the pieces my favorite was the association between ballplayers pumped up on BALCO steroids and the claims of biodynamic farming.

Continued Surveillance won’t help with your studies for that Master of Wine exam. But it could convince you to adopt the motto that appears on the home page of the Wine Patrol Press website: “Two bottles a day, that’s all I ask.”

Continued Surveillance: Mostly True Stories of the Wine Business is available exclusively through Wine Patrol Press; email jake@winepatrol.com or call Wine Patrol Press directly at (707) 996-5730.

Tim Patterson writes for several wine magazines, blogs at Blind Muscat’s Cellarbook, and co-edits the Vinography book review section.

Original post by Alfonso Cevola

Wine Writers and Social Media: The Panel Video

March 2nd, 2010

As some of you know, I spent the week before last at the Symposium for Professional Wine Writers in Napa. I published a recap of some of the highlights last week, but as some attendees pointed out, there was a glaring omission: the panel that I moderated that dealt with wine writing and social media. I left it out with the hopes that I would be able to get the video I made of (most of) the panel up online. It took me a while to get the 5 gigabytes of HD video online for your viewing pleasure, but I finally got it, and offer it here for those of you who are geeky enough to want to sit through the whole thing. I won’t blame you if you don’t.

Unfortunately my camera ran out of batteries about an hour into the session (it ran about 15 minutes longer) so apologies for the abrupt ending.

TIPS FOR VIEWING:

When you click the frame below you’ll be taken to a streaming media site that hosts the video (sorry, no embedding capabilities ).

The site gives you the option to watch in HD or SD (standard definition). If you have a DSL or slower connection, I recommend switching to SD to watch.

screengrab_WWS_panel.jpg

Feel free to add your comments or questions below !

Original post by Alfonso Cevola

“Occhi Spalanchi Sul Mondo”

February 28th, 2010

This is such a great time to be on the wine trail. There are many good wines at all levels, from so many places. There are new people coming into the field with their ideas and energy. There is a confluence with the world of food and art and music, along with philosophy, economics. So many areas that touch each other. There is the fun and comedic aspect (my gosh, we laugh so much these days). And while we have some naysayers, those snarky little blue ticks that prey upon the ledges, leeching blood and energy, I reckon it’s all in the game. This week has been a good week for the forces of light and good and love and wine.

It began when I started reading Frances Mayes newest book, Every Day in Tuscany, Seasons of an Italian Life.

I wanted to look at some of her recipes, as I was doing a wine dinner with local Chef, Jim “Sevy” Severson, of Sevy’s fame. We were doing a Tuscan evening, and I thought I’d get a little inspiration from Frances’ latest book.

After several minutes scanning the recipes and a few pages, I realized exactly what I needed to do for the wine dinner. Simply, tell the stories of the people who made the wine. We had people attending who have traveled to Italy, so many times. But the more I go to Italy and stay there, the more I come to realize how little I know. In effect when one of the nasty commenters on local food blogs throws me in the grease for my stand on Italian food in these parts, they are right. But for the wrong reasons. My lament isn’t that Italian food is impossible to find outside of Italy. It’s more that the philosophy is hard to find in the kitchen. My aunt had it, so did my grandmothers. And for sure they used local ingredients. Would they call their food Italian? Would I not call it delicious? And when I go into a place, whether it be Italian or French or Thai, my hope is that there is someone in the kitchen, thinking consciously of what they are doing with their ingredients.

Last night at a wine bar, where the most amazing array of bottles kept showing up at the bar where we were sitting, a local Doctor, David Ellis, who has a passion for wine and food, stated it so simply. “My best meal ever in this town” he said, “was from Anthony Bombaci at Nana. It was a sea bass, seared in olive oil with salt and pepper.” No more than five ingredients. Oh, yeah, you can find it. Anywhere.

Sevy was proud of his menu; he took me back in the kitchen and showed me the bistecca in preparation. The evening would be an homage to the brightness of Tuscan cooking with wines to match. I was in heaven.


The next day, a package arrived in the mail. One Vintage, a word and picture book about live in a Los Olivos vineyard. Chris Jones has found her own Bramasole in the Central Coast of California, and her sweet little book is a Valentine to all grape growers. Thanks so much, Chris, what a joy.

Meanwhile, people struggle daily, with their realities. More than one restaurant I have been in this past week has had way fewer than needed people in those seats. There is nothing more challenging than to be in a place with good food and wine and have it be empty. And then, there are those places that are so darn busy, three-deep at the bar at 9 o’clock on a Saturday night. Hopeful signs, but still survival of the fittest. No room for mistakes in this economy. Hope, alone, won′t keep the lights burning.

Last night at a busy wine bar, in an arts district with opera and symphony overflow, people didn’t seem to be anxious. Two nights before, though as I walked around the area, the handful of restaurants didn’t have enough people in all of them to fill one of them. Maybe last night people were just ready to get out and charge it on their already overcharged credit cards, in spite of the consequences on Monday. I don’t know. But I do know there is some trepidation.

I was in the mood for a Savennieres. I’m often in the mood for this wine, but last night I realized, once again, why I love that wine. It followed a young Gruner, an aged Puligny-Montrachet Les Pucelles and an even older Mazy-Chambertin. But this wine, the 2004 from Nicholas Joly is the little pillow I love to lay my head on. It was creamy, it had an edge, it was sweet, it was savory. It was minerally, it was salty, it was lively, it was mellow. I ordered a cup of butterscotch pudding to appease my sweet tooth. I have had a week where so many wine and food matches have seemed like they were perfect (all unplanned). Maybe this is the week the palate gods tell me my thoughts about such things are erroneous. After all, the Blue Meanie Blogarazzi think I’m full of crap, maybe the wine gods agree. If that’s the case, so be it. I’ll just hop in my submarine and find another wine tasting, putting on my perennial millennial shirt and hat and facing the next flight - occhi spalanchi sul mondo – eyes wide open on the world.

written and photographed by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Original post by Alfonso Cevola

2007 TAZ Vineyard Pinot Noir, Santa Barbara County

February 27th, 2010

taz_pinot_sb_jpgThe good $15 Pinot Noir is the unicorn of the California wine industry. A mythic beast, highly sought after, no one is actually sure whether it exists or not. I’m always on the lookout myself, as it’s one of the most frequent questions I get asked when people find out I review wines.

Consequently, whenever I do come across something that comes close, I feel almost obligated to share the find. It’s been some time since I visited the wines made under the brand TAZ, but a couple of bottles arrived recently and went into the tasting lineup and they showed extremely well.

TAZ is one of the many wine brands that are part of wine and spirits conglomerate Fosters USA. Originally a part of the Beringer-Blass portfolio, it has been subsumed, like many others, in the wave of consolidation that has swept through the California wine world in the last five or ten years.

The wine brand is named after winegrower Bob “Taz” Steinhauer, who earned the nickname due to his resemblance to a certain cartoon character. Despite being part of one of the world’s largest wine corporations, the TAZ brand is operated with a certain degree of independence. The wine continues to be made out of a winemaking cooperative in Santa Barbara, under the guidance of winemaker Natasha Boffman, who took over from the original winemaker John Priest in 2005. Boffman’s prior credits include winemaking stints at Stags’ Leap and Meridian Vineyards as well as some time spent down under in Australia’s Coonawarra region.

The winery produces several wines from Santa Barbara County, Steinhauer’s stomping grounds, with a special emphasis on Pinot Noir from several sites, including Steinhauer’s most well known property, the Fiddlestix vineyard (which sites next to the well known Sanford and Benedict vineyards).

This particular wine is made from fruit from the North Canyon Vineyard in the Santa Maria Valley, as well as the Fiddlestix vineyard in Santa Rita Hills. After destemming and fermentation, the wine is aged in French oak barrels of which about 25% are new.

Full disclosure: I received this wine as a press sample.

Tasting Notes:
Light to medium garnet in color, this wine has a nose of sweet cranberry fruit. In the mouth it is beautifully soft and juicy with cranberry and raspberry flavors that stay lively thanks to good acidity and very judicious oak. Not incredibly complex, but hard to dislike in all its bouncy juiciness. Delicious.

Food Pairing:
This wine showcases its fruit beautifully, and will complement anything earthy and savory I think. I’d love to drink it with mini chicken pot pies with bacon and marjoram.

Overall Score: between 8.5 and 9

How Much?: $17

This wine is available for purchase on the Internet.

Original post by Alfonso Cevola