Archive for January, 2008

Walking the Walk

Thursday, January 31st, 2008

Like any enterprise, one can be too close to always be objective. When it seems that one cannot see the light in the forest, there is one real cure – go out and open bottles of wine and tell stories to the young and willing.

A bag of great wine can void any affronts from unmannerly ones who paint the wine industry to resemble Hell from Hieronymus Bosch’s famous triptych. That is but a delusive exercise.

So, back to what we’re here for, on the wine trail, this time in Deep Ellum.

One of my co-conspirators called me up and asked me about some of my favorite wines lately. We discussed the account, a small chef-driven spot in an older urban neighborhood somewhat resembling Williamsburg in New York or the old city of Torino. The place is called Local and it is a gem of a place, relying on organic produce and grass fed beef, wild caught fish and locally produced products, like cheese from the Mozzarella Company next door. Local carries their Hoja Santa wrapped cheese, of which I am one of the proud organic growers of the leafy herb. So along with Cowgirl Creamery in San Francisco and Artisanal in New York, now I can enjoy products from my garden in Dallas.

We were running late for the appointment, and as I parked and rushed into the meeting, there they were – young and bright and fresh. Oh boy, I thought to myself, maybe I can tell some stories about these wines and maybe they’ll like them.

It was easier than I thought, for the Muse had kicked in and was ready to roll. I was talking about wines that I personally liked and recommended, often.

I don’t intend this to be a list with tasting notes, but I do wish to mention the wines.
The white wines we presented to the staff were:
2006 Abbazia di Novacella Kerner
2005 Re Manfredi Basilicata Bianco
2006 Tasca d’Almerita Leone

The reds:
2005 Mesa Buio Carignano del Sulcis
2005 Abbazia di Novacella Lagrein
2005 Queciabella Chianti Classico
2004 Castello di Rampolla Chianti Classico
2005 Il Borro Pian di Nova
2003 Petra Quercegobbe
2005 La Lumia Cadetto Nero d’Avola

I’ve written in elsewhere about many of these wines. What really pointed me back to all things good and bright was the purity and the clarity and the diversity among these wines. Italian wines aren’t confusing, anymore than perfume is. Italian wines are complex and in a “give it to me now or else” world there isn’t going to be a lot of satisfaction for those who don’t have the time or the patience.

But to see that the Kerner reflects its world ever so much as the Leone does and to know that one may be preferable to you but it doesn’t diminish what the other wine is here for. That would be for the person for whom it resonates with. There is no right or wrong to it, no finger pointing and swaggering. It is. That’s just the way it is.

And while there are those that talk a mean game, who on earth would want to trade places with those souls, who are confined to suffer in Bosch’s infernal triptych, thinking about the paradise they lost because they couldn’t take time from their daily battles to enjoy wine for it own sake. That is the reason many of us are in the wine business.

To those lost souls may their suffering be brief.

And may we never run out of great wine so we can talk the talk about them. That’s just what you do when you’re a (wine) lover, not a fighter.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Original post by Italian Wine Guy&Acirc®

Wine’s Inversion of Effort

Thursday, January 31st, 2008

I’m pretty stressed out these days. My favorite metaphor for stress has got to be those incredible acrobats that get all those plates spinning on the end of their sticks, and then have to keep them spinning through contortions, contrivance, and concentration. Spinning plates, balls in the air, irons in the fire. Sometimes it seems like we’re all bumping up against the limits of what our little brains can manage.

The reasons for my stress are all the usual excuses — a surfeit of work coupled with a general tendency to be more responsible than I should, multiplied by a personal commitment to blog regularly.

I guess I should consider myself lucky, however, that the source of my blogging passion is also the source of some relief from the stress. There’s nothing quite like pulling a cork and sitting down in a few stolen moments to a quiet glass of wine.

Those first aromas waft upwards from the glass and smooth the ruffled feathers of immediate concerns, and the silky textures in the mouth do their best to caress away those voices that constantly remind of more important things to be doing. Wine practically forces us to slow down — not just because the appreciation of its complex flavors and aromas require a certain meditation.

As I savored my few mouthfuls this evening after a somewhat hurriedly digested meal, I was struck at the… irony, I guess you′d call it, that a drink so calming and contemplative derives from so much work. If I push myself, I can see in the layers of aromas (and the complex phenolics that make them up) an analogue to the hundreds of hands and hours that shepherded fruit through its transformation to wine, but it’s almost easier for me to appreciate the labor that has gone into wine for the opposite forces it exerts on my own body. The intense forces and energy of wine’s production become persuasions to relaxation, respite, and even sleep through a process that I can only equate to alchemy.

I think this is something that we humans have always understood about wine. Certainly in its earliest days, wine required so much work, not only to produce and harvest the crops for its production, but also to simply keep it from turning to vinegar. But or thousands of years, we have made the effort, knowing that the results would be, according to the yet unwritten laws of physics, equal and opposite. Perhaps this is why Roman legions away at war were paid (and sometimes pacified in their unrest) with wine. It is most certainly why poor emigrants throughout history included vines among their scant, treasured possessions required to forge a new life somewhere else. No matter what happens, wine offers us a unique comfort.

There are a lot of magical things about wine, but tonight as I savored the results of a struggle that began when a vine first strained for moisture in hard, stony soil, all I could think of was the beauty of that energy transformed into the momentary stillness of my own mind and thought. It was most certainly a gift worth savoring. At least until my cellphone rang.

Original post by beatrice.russo

Starbucks to close some stores, stop selling breakfast sandwiches

Thursday, January 31st, 2008

By CRAIG HARRIS
P-I REPORTER

Starbucks will say goodbye to its breakfast sandwiches, close about 100 underperforming U.S. locations and slow down the number of domestic openings as the once-go-go coffee company retools itself amid a slowing economy.

The changes, announced Wednesday along with modest first-quarter earnings, also include putting more emphasis on overseas expansion. Few stores

Original post by Robert

Pulling the Trigger

Tuesday, January 29th, 2008

I feel like one of the judges for American Idol. It seems that every three or four hours I get a call from someone wanting to bring new Italian wines into the market. And while I am not anti-immigration regarding Italian wine, I think someone should stop booking ships to the New World filled with the hopes of Italian winemakers, hoping we will bring them out of their funk.

Today I read it in our papers, finally. America is now officially going through our own “malaise”. Recession has arrived; the cost of war is depleting our resources and the hopefulness of our population. The middle classes and below are being downsized into smaller pieces of the American Pie. Only the 1%’ers can ponder their new Bentleys or their $500 bottles of Barolo. And still, folks call, wanting to send more Chianti, more Prosecco, more Pinot Grigio.

I told one contender today, “I don’t pull the trigger. I ride Trigger around the square in our daily Palio.”

Let me put it this way. It’s not just about price. Or margin. I really can’t bear to hear one more comment about how high the distributor’s margins are when most of the importers are 6-10% higher. My friend Sam Levitas has this mantra. It goes like this: “You don’t take margins to the bank, you take dollars.” Anybody listening, importers, retailers, restaurateurs?

The next great idea probably isn’t going to be an Italian Yellow Tail or Two Buck Chuck. Or a celebrity label, or one from a “famous restaurant”. I might be wrong, but looking back over my wine label graveyard collection, there are a lot of “great ideas” that never made it. Why? Because there are no short cuts. It’s very simple: It isn’t easy.

Let me ask you, if there are any winemakers, importers, brokers, retailers, restaurateurs or just plain folk who like to eat and drink: What do you prefer, a chain restaurant or a small place where the proprietor greets you at the door with a smile and an honest, simple, fairly priced menu and wine list? Where do you prefer to buy wine, at a supermarket where now you check yourself out or at a quirky little store where the owner spent several years in Gascony or Greve fiddling around learning about wine and culture and then bringing that passion back home to share with his friends and clients?

Why would it be any different with new wines? Do we really need another tired concept? How about getting on your own horse and battling it out around the piazza with the rest of us? Maybe fall and get scraped and drag yourself back up and staying in the race? Or just getting in the game in the mud and the rain and the slop of the daily slog from walking on all fours towards an upright position. And then to have to carry a shield and a sword and battle some more? That is the state of our union.

There is plenty of work, and more wines than we can say grace over, already. We need some fresh meat in the trenches, throwing punches and winning a few battles. We don’t need anymore armchair generals with self-proclaimed great ideas that will never win a skirmish. Does anybody hear me?

We don’t need anymore wine – we need boots on the ground – selling what has already made it through the gates – they need a home before we can send anymore ships loaded with wine and hope, over here.

Enough already.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Original post by Italian Wine Guy®

Coffee shops ponder the saturation point

Tuesday, January 29th, 2008

By MICHAEL HILL

ALBANY, N.Y.

It’s easy to get a good cup of coffee on Wolf Road. And it’s getting easier.

The two-mile retail strip has two Dunkin’ Donuts, one Starbucks, another planned and an independent coffee house. The McDonald’s sells a premium brew, as does the Borders. And the Barnes & Noble in the mall across the street from the Starbucks sells Starbucks.

The coffee cluster is great

Original post by Robert

Store Ambiance Key to Starbucks’ Plans

Tuesday, January 29th, 2008

By ELIZABETH M. GILLESPIE AP Business Writer
© 2008 The Associated Press

SEATTLE — It’s been almost a year since Chairman Howard Schultz’ bitterly candid memo bemoaning “the watering down of the Starbucks experience” landed with a thud on the desks of the coffee chain’s top executives.

Mincing no words, he complained the company’s unbridled growth had sapped the soul out of its stores _ his

Original post by Robert

3rd Annual Anderson Valley Alsace Varietals Festival: February 9-10, Booneville, CA

Tuesday, January 29th, 2008

With all the fanfare surrounding Cabernet and Pinot Noir coupled with the obsession this country seems to have with Chardonnay, it’s sometimes hard for people to remember that California produces a lot of different kinds of wine. It’s even harder, it seems, to get people to drink some of it.

Perhaps some of the most under-appreciated and least consumed California wines are those made from grapes like Gewurztraminer, Pinot Blanc, Pinot Gris, and Riesling. There aren’t a lot of places in California where these grapes alsace_festival.gifthrive, but the Anderson Valley, three hours north of San Francisco, may well be the best place in the state for growing and making wines from these varietals in the style common to the French border region of Alsace.

California grown Alsatian-style wines are not plentiful, nor are they particularly well publicized, but that seems to suit both the winemakers of Anderson Valley, and the folks who have been happily buying these wines for years. But in the interest of spreading the word, and the love, a couple of years ago all the winemakers who produce these wines decided that they needed to get together to showcase and celebrate their shared passion.

In this, the third year of the festival, the local winemakers will also be joined by a few Alsatian winemakers as well as other winemakers from around California and the US who have decided to support this rather unique celebration of the wines they love, even if it is so far from home.

The weekend begins at 8:15 AM Saturday morning, February 9th, with a technical seminar on growing and making Alsatian style wines given by both local and visiting winemakers. The grand tasting begins afterwards at Noon and goes until 3:00 PM, after which attendees have a chance to relax before a winemaker dinner begins at 6:30. Tickets are available for each event separately, or as a package. On Sunday the 10th, most wineries in the valley hold open houses with food and, of course, more wine to taste.

The following winemakers will be pouring at this year’s public tasting:

Amity Vineyards
Arista Winery
Barra of Mendocino
Breggo Cellars
Chateau Grand Traverse
Chateau Ste. Michelle
Chehalem
Claiborne & Churchill
Claudia Springs Winery
Domaine Marc Kreydenweiss
Domaines Schlumberger
Esterlina Vineyards
Foris Vineyards Winery
Graziano Family of Wines
Greenwood Ridge Vineyards
Gundlach Bundschu
Handley Cellars
Husch Vineyards
Kumeu River
La Crema Winery
Lazy Creek Vineyards
Londer Vineyards
McFadden Farm
Navarro Vineyards
Pey-Marin Vineyards
Philo Ridge Vineyards
Ponzi Vineyards
Robert Sinskey Vineyards
Steele Wines
Thomas Fogarty Winery
Toulouse Vineyards
WillaKenzie Estate
Zin Valle
Zmor Winery

Though I have not yet attended this festival personally, I know several folks who have, and who report that, like a lot of things in Anderson Valley, it’s low-key, easygoing, and a lot of fun. Couple that with some pretty damn good wines, and it’s a winning combination, provided that it isn’t pouring rain (cross your fingers).


3rd Annual Anderson Valley Alsace Varietals Festival
February 9th &amp 10th, 2008
Mendocino County Fairgrounds
14400 Highway 128
Boonville, CA 95415

Tickets for the public tasting are $65; the technical conference costs $35, or both can be attended on a joint ticket for $85. The winemaker dinner is an additional $85. Tickets can be purchased online in advance.

Original post by Italian Wine GuyÂ&reg

3rd Annual Anderson Valley Alsace Varietals Festival: February 9-10, Philo, CA

Tuesday, January 29th, 2008

With all the fanfare surrounding Cabernet and Pinot Noir coupled with the obsession this country seems to have with Chardonnay, it’s sometimes hard for people to remember that California produces a lot of different kinds of wine. It’s even harder, it seems, to get people to drink some of it.

Perhaps some of the most under-appreciated and least consumed California wines are those made from grapes like Gewurztraminer, Pinot Blanc, Pinot Gris, and Riesling. There aren’t a lot of places in California where these grapes alsace_festival.gifthrive, but the Anderson Valley, three hours north of San Francisco, may well be the best place in the state for growing and making wines from these varietals in the style common to the French border region of Alsace.

California grown Alsatian-style wines are not plentiful, nor are they particularly well publicized, but that seems to suit both the winemakers of Anderson Valley, and the folks who have been happily buying these wines for years. But in the interest of spreading the word, and the love, a couple of years ago all the winemakers who produce these wines decided that they needed to get together to showcase and celebrate their shared passion.

In this, the third year of the festival, the local winemakers will also be joined by a few Alsatian winemakers as well as other winemakers from around California and the US who have decided to support this rather unique celebration of the wines they love, even if it is so far from home.

The weekend begins at 8:15 AM Saturday morning, February 9th, with a technical seminar on growing and making Alsatian style wines given by both local and visiting winemakers. The grand tasting begins afterwards at Noon and goes until 3:00 PM, after which attendees have a chance to relax before a winemaker dinner begins at 6:30. Tickets are available for each event separately, or as a package. On Sunday the 10th, most wineries in the valley hold open houses with food and, of course, more wine to taste.

The following winemakers will be pouring at this year’s public tasting:

Amity Vineyards
Arista Winery
Barra of Mendocino
Breggo Cellars
Chateau Grand Traverse
Chateau Ste. Michelle
Chehalem
Claiborne & Churchill
Claudia Springs Winery
Domaine Marc Kreydenweiss
Domaines Schlumberger
Esterlina Vineyards
Foris Vineyards Winery
Graziano Family of Wines
Greenwood Ridge Vineyards
Gundlach Bundschu
Handley Cellars
Husch Vineyards
Kumeu River
La Crema Winery
Lazy Creek Vineyards
Londer Vineyards
McFadden Farm
Navarro Vineyards
Pey-Marin Vineyards
Philo Ridge Vineyards
Ponzi Vineyards
Robert Sinskey Vineyards
Steele Wines
Thomas Fogarty Winery
Toulouse Vineyards
WillaKenzie Estate
Zin Valle
Zmor Winery

Though I have not yet attended this festival personally, I know several folks who have, and who report that, like a lot of things in Anderson Valley, it’s low-key, easygoing, and a lot of fun. Couple that with some pretty damn good wines, and it’s a winning combination, provided that it isn’t pouring rain (cross your fingers).


3rd Annual Anderson Valley Alsace Varietals Festival
February 9th & 10th, 2008
Mendocino County Fairgrounds
14400 Highway 128
Boonville, CA 95415

Tickets for the public tasting are $65; the technical conference costs $35, or both can be attended on a joint ticket for $85. The winemaker dinner is an additional $85. Tickets can be purchased online in advance.

Original post by Italian Wine Guy®

Taste Top Bordeaux Without Going Broke: February 1, Chicago

Monday, January 28th, 2008

There are three ways to taste older vintages of the top wines of Bordeaux. The first is to be wealthy enough to collect them, or to buy them at restaurants. The second is to pool your money with friends and buy a couple of bottles that you wouldn’t ordinarily be able to afford. The third is to attend pre-auction tastings.

An often poorly publicized part of the high stakes wine auction market, pre-auction tastings are held by many major wine auction houses to allow prospective bidders a chance to taste some of the wines they will be bidding on in the auction. The fact that these tastings are open to the general public, often for a nominal fee, is one of the best kept secrets of the wine world. Such tastings offer an opportunity for wine lovers to sample wines that are not only incredibly expensive, but also often scarce.

Some auction houses are beginning to recognize the opportunity that such events represent for a wider class of wine lovers, and have begun to promote them more heavily. Such is the case with Hart Davis Hart Wine Company, who is putting on an annual event they call their Comparative Bordeaux Tasting.

On Friday evening, at the Newberry Library in Chicago, they will open 1995 and 1996 vintage wines from all of Bordeaux’s first growths and 15 other top Chateaux for their guests to taste. Latour, Lafite, Mouton-Rothschild, Haut Brion, Margaux, they’ll all be open and available for the tasting.

Here is a list of most of the wines that will be poured:

Château Margaux
Château Mouton-Rothschild
Château Latour
Château Haut-Brion
Château Lafite-Rothschild
Château Cheval Blanc
Château La Mission-Haut-Brion
Vieux Château Certan
Château Lynch-Bages
Château Pichon-Lalande
Château Ducru-Beaucaillou
Château Trotanoy
Château Léoville-Las-Cases
Château Cos d′Estournel
Château Léoville-Barton

For the average wine lover who has probably never tasted a bottle of Lafite (I haven′t!), that lineup is quite an opportunity, and quite a value, even at the $275 price tag. Anyone seriously interested in educating their palate about what top Bordeaux tastes like should seriously consider attending. I most certainly would if I was in Chicago.

Hart Davis Hart Wine Co. Annual Comparative Bordeaux Tasting
Friday February 1st 2008, 6:30 PM - 8:00 PM
Newberry Library
60 West Walton Street
Chicago, IL 60610 (map)
312.482.9996

Tickets are $275 and must be purchased in advance over the phone by calling Marc Smoler at 312.482.9766 or e-mailing him at msmoler@hdhwine.com.

The nearest metros stops are: Chicago-Red and Grand-Red. A free parking lot is also available behind the museum.

Original post by Italian Wine GuyÂ&reg

Tablas Creek Vineyard, Paso Robles: Current Releases

Monday, January 28th, 2008

It always comes as a surprise to some American wine lovers when they hear about French wineries deciding to open up shop on American soil. I think this surprise comes not only from the historical rivalry between California and France that came to head in the 1976 Paris Tasting, but also because America is used to being in the role of colonizer, rather than the colonized.

I also think that most wine lovers have the impression that the all French think of America as the land of fake wines made on soil with no terroir. Unfortunately, it is pretty easy to find people in France all too willing to pronounce such opinons. However, to suggest that this is the dominant French view of tablas_logo.jpgAmerican wine is at best a gross generalization, even a stereotype, and as such, to overlook the degree to which some very smart and accomplished French winemakers and wine families have invested in California wine.

I think Tablas Creek Vineyard is perhaps my favorite example of such a project. Even leaving aside my delight at the high-quality wines they continue to produce year after year, I love the matter-of-fact understatement that accompanies their continued presence in the California wine market. Tablas Creek sees no need to boast of their winemaking heritage or history — it is certainly not one of their selling points. Rather they are relying, as any good winery should, on simply making great wine.

Of course that’s what the Perrin family, who run the venerable Chateau Beaucastel in the Chateauneuf-du-Pape appellation of France’s Rhone Valley have been doing since 1909. So, when after 80 years of making one of France’s top wines, the family decided to join with the Haas family, an equally prominent name in American wine, to create a new winery, there wasn’t a lot of fanfare.

The Perrins first knew Robert Haas as the founder and owner of Vineyard Brands, an import company he started in 1973, largely to bring great French wine to the United States. The relationship between the Haas and Perrin family deepened over the years to become much more than a simple business connection, leading to a natural collaboration when the Perrins decided to explore making Californian wine. Together the two families searched the state for a vineyard site that could approximate the Mediterranean climate required to produce great Rhone-style wines, and in 1989, they settled on a 120 acre parcel of land in the western part of the recently created Paso Robles American Viticultural Area.

This plot of land, which is roughly bisected by the creek which lent its name to the new project, consists of broken limestone soils nearly identical to the soils at Chateau Beaucastel. Into this familiar geology and climate the family imported cuttings directly from their estate vines, and proceeded to set up what today is a completely organically farmed vineyard operation that replicates both the grape varieties and clonal selections of the original Beaucastel estate vineyards. The importation of foreign vine cuttings has gotten the wine world into trouble before, so it’s should come as no surprise that the process of getting vines into the U.S. for propagation took several years of testing and certification, not to mention tedious propagation afterwards in order to have enough grafts to start a vineyard.

Between 1993 and 2000, using its own specialized nursery set up on the property, the estate produced nearly 200,000 vine grafts for planting, and for sale to other wineries in the area, many of which have become some of the region’s top producers. At this point the winery has a bit less than 100 acres of its vineyards planted, and is producing around 16,000 cases of wine each year.

Winemaking at Tablas Creek, as one might expect, follows a traditional old world model. After careful hand-harvesting and sorting, all grape varieties are fermented separately with no added yeasts, and aged separately in neutral French oak barrels. Just as in the appellation of Chateauneuf-du-Pape, where up to 13 different grape varieties are blended together to make the final red wines, Tablas Creek places a heavy emphasis and puts much care into the process of blending its final wines. The estate’s signature wines are all blends evocative of their Rhone forbears, though it also produces some single varietal wines.

Tablas Creek will soon bottle their 10th vintage (though the 2007’s won’t be released for some time) and continues to produce a wide variety of wines distinguished by their shared attention to detail and unique character. The winery also continues to distinguish itself by its accessibility and its ability to produce what I believe to be some of the highest quality wines under $20 in the entire state. That alone is enough to make me love the wines of Tablas Creek, but of course, the wines also happen to be great, with some bordering on phenomenal.

While the investment that the Perrin and Haas families have made in creating the perfect marriage between new world terroir and old world winemaking knowledge must have been quite substantial, tasting the wines year after year makes it clear to me that they are well on their way to reaping great returns. Tablas Creek Winery continues to be one of the reasons every wine lover should pay attention to Paso Robles.

Full disclosure: I received these wines as press samples.

TASTING NOTES:

2006 Tablas Creek Vineyard Vermentino, Paso Robles
Palest of golds, this wine has a lullaby of a nose with aromas of vanilla and white flowers. In the mouth its flavors center around apples and pears dusted with citrus zest, and an overall experience of clarity and brightness. This is marred by a hint of bitterness in the finish, but this doesn′t keep the wine from being lovely and refreshing. Score: between 8.5 and 9. Cost: $27. Where to Buy?

2006 Tablas Creek Vineyard Grenache Blanc, Paso Robles
Pale gold in the glass, this wine has a lush, tropical nose of guava and other exotic floral aromas. In the mouth it is a delightfully zesty mix of flavors like sarsaparilla, vanilla, and papaya. The wine is beautifully textured, with a silky weight on the tongue that lingers, as does the long bright finish. Score: around 9. Cost: $20. Where to Buy?

2006 Tablas Creek Vineyard “Cote de Tablas” White Blend, Paso Robles
Pale gold in color, this wine smells of baked apples and wet stones. On the palate it is striking in its minerality, with a sharp acidity carrying flavors of apples, incense, and wet slate quickly over palate. The finish is slightly woody and has a bite to it that put me off initially, but that aspect of the wine mellowed with some air. Score: around 8.5. Cost: $16. Where to Buy?

2006 Tablas Creek Vineyard Roussanne, Paso Robles
Light gold in the glass, this wine has refreshing nose of pears and star fruit that makes you thirsty just smelling it. The wine is poised and well composed in the mouth, nicely balanced between fruit, acidity and minerality. A mix of flavors that range from toffee, pear, grapefruit and orange zest combine to make a nicely complex rendition of this white Rhone classic. Score: around 9. Cost: $32. Where to Buy?

2006 Tablas Creek Vineyard “Esprit de Beaucastel” White Blend, Paso Robles
Light blonde-gold in color, this wine has a rich nose of star fruit, mineral, and floral aromas. In the mouth the overwhelming impression is one of balance and delicacy, though this is quickly eclipsed by a sensuousness of texture upon which float flavors of white peaches, pears, and a calcified minerality that extend into a long, beautiful finish. Score: around 9. Cost: $23. Where to Buy?

2006 Tablas Creek Vineyard Viognier, Paso Robles
Light yellow-gold in the glass, this wine has a nose of strong linalool (think fruit loops) mixed with the classic candied peach aromas typical of the varietal. In the mouth this wine is a smooth operator, with a nice mix of peach and apple flavors that linger nicely into a moderate finish. Score: between 8.5 and 9. Cost: $28. Where to Buy?

2006 Tablas Creek Vineyard “Antithesis” Chardonnay, Paso Robles
Light yellow-gold in color, this wine smells overwhelmingly of vanilla. In the mouth it offers flavors of golden apples resting on a bed of nice acidity, but these apples lack complexity. The wine has a pleasant finish, but cannot transcend its own niceties. Score: around 8. Cost: $31. Where to Buy?

2005 Tablas Creek Vineyard Cunoise, Paso Robles
Light to medium garnet in color, this wine smells like grape soda laced with pomegranate syrup. In the mouth, for a few moments, you might actually think that it IS grape soda laced with pomegranate, though the lack of carbonation gives it away for being merely a light fruity wine that some might love, but I certainly don’t — not my style. Score: between 7.5 and 8. Cost: $33. Where to Buy?

2006 Tablas Creek Vineyard Rose, Paso Robles
Light pink in the glass, this wine pairs aromas of strawberries and lilacs to tantalize at first whiff. In the mouth it possesses a light sweetness, made bearable by a decent amount of acidity and pleasant strawberry and raspberry flavors. Not mineral or dry enough in its aspect to pass for a French rose, this is nonetheless one of the better California pink wines out there. Score: around 8.5. Cost: $27. Where to Buy?

2005 Tablas Creek Vineyard “Cote de Tablas” Red Blend, Paso Robles
Dark ruby in color, this wine offers cherry and earthy aromas and a nice combination of plum and cherry flavors tinged with an appealing earthiness. Fine tannins, and secondary flavors of sandalwood emerge as the wine crosses the palate, but these are replaced by a light bitterness on the finish that diminishes the wine’s overall impression. Score: around 8.5. Cost: $16. Where to Buy?

2005 Tablas Creek Vineyard “Esprit de Beaucastel” Red Blend, Paso Robles
Dark garnet in color, this wine has an alluring nose of cassis, wet earth, and mushrooms. In the mouth it is rich with flavors of cassis, cherry, and leather that hang on a framework of leather and iron that rings with a clarity of a perfectly forged bell. The finish extends these resonant flavors as long as you have the patience to pay attention. Drinking this wine not only provokes intense pleasure, it begs the question as to why more people are not making similarly styled southern Rhone blends this well. Undoubtedly age worthy. Score: between 9 and 9.5. Cost: $34. Where to Buy?

2005 Tablas Creek Vineyard Tannat, Paso Robles
Inky garnet in the glass, this wine has a strong cassis and blackberry nose. In the mouth it is true to its name, with grapey flavors of cassis, blackberry, and blueberry studded with rebar-stiff tannins that grab the edge of your mouth as if they want the wine to linger longer than you might. Not that you’re in a rush to get it out of your mouth — it has a nice texture and admirable length, despite lacking some complexity that it might recover with some age. Score: around 8.5. Cost: $32. Where to Buy?

2005 Tablas Creek “Esprit de Beaucastel - Panoplie” Red Blend, Paso Robles
Dark Garnet in color, this wine has an attractive nose of strong black raspberry aromas. In the mouth the deep and resonant core flavors center on cherry and plum, with high notes of cassis and faint tannins that linger into a moderate finish. Not quite as complex as the normal bottling to my taste, this limited release is nonetheless a beautiful wine. Score: around 9. Cost: $40. Only available through the winery.

2005 Tablas Creek Vineyard Syrah, Paso Robles
Dark garnet in color, this wine smells of blackberry and chocolate. In the mouth briary blackberry flavors dominate body of the wine which also contains hints of leather. Good acidity and a beautifully dry profile makes this a good food wine, but one that lacks the complexity and lushness its nose promises. Score: between 8 and 8.5. Cost: $35. Where to Buy?

2005 Tablas Creek Vineyard Mourvedre, Paso Robles
Dark garnet in the glass this wine has a gorgeous nose of dried black cherries, blueberries and a hint of grapeyness that is often the signature of this variety for me. In the mouth it is smooth “like buttah,” its earthy, leathery tones wrapping around a core of dark cassis, plum, and black cherry fruit that lingers into a beautiful finish. There are very few excellent renditions of this grape variety in California, and this is one of the best. Score: around 9. Cost: $35. Where to Buy?

2005 Tablas Creek Vineyard “Vin de Paille - Sacre Rouge” Mourvedre Dessert Wine, Paso Robles
Dark garnet in color, this wine smells of stewed prunes and roasted figs. In the mouth it is moderately sweet, with flavors of prunes and chocolate, making me wonder whether I enjoyed drinking it as much as I would enjoy pouring it over some vanilla ice cream. Score: around 8.5. Cost: $45. Where to Buy?

2005 Tablas Creek Vineyard “Vin de Paille” White Dessert Wine, Paso Robles
Pale gold in color, this wine smells deliciously of yellow melon and honey. In the mouth it is silky and beautifully bright with acidity. The flavors continue in the vein of melon and honey, with additional hints of poached pear, all of which are only moderately sweet. This lightness, along with the pretty medley of flavors are the wines chief points of recommendation as an excellent dessert wine. Score: around 9. Cost: $60. Where to Buy?

2005 Tablas Creek Vineyard “Vine De Paille - Quintessence” Roussanne Dessert Wine, Paso Robles
Bright yellow-gold in the glass, this wine has a stunning nose of peaches, meyer lemon and bergamot aromas. On the palate it is weighty and thick, while at the same time offering a silkiness, that leaves me thinking of a nude in a Titian painting. The flavors of lemon and mixed tropical fruits end up a bit syrupy for my tastes, and lack quite enough acidity to propel them onto a different plane of flavor. Still, this is the only dessert wine I’ve ever had made entirely from Roussanne, and I’m pleasantly surprised. Score: between 8.5 and 9. Cost: $80. Where to Buy?

Original post by Italian Wine Guy®