Archive for January, 2009

Will UV Treatment of Wine Save Terroir?

Saturday, January 31st, 2009

It seems like every week, there’s a new story about some inventor debuting some newfangled technology to make wine better. Most such stories seem to involve some device that can turn cheap wine into much better wine, auto-magically, which I’ve now decided is the wine world’s equivalent of the famous line “I’ve got a bridge to sell you.”

But occasionally we actually get some news of a technological innovation that doesn’t involve auras, electromagnetic fields, or crappy wine, and which might actually make a difference in how wine gets made from here on out.

Such is the case with the story this week, of the first wine to hit the market that has been treated with UV light tanning_bed_barrel.jpginstead of sulfur dioxide and filtering.

Sulfur dioxide is one of the most useful and prevalent chemicals used in the winemaking and winegrowing process. It is used both as a disinfectant for winemaking equipment, but also as an additive to wine, in small quantities, with one primary purpose — to prohibit the growth of unwanted bacteria and yeasts in the wine. You’ve likely heard of that nasty stuff called Brett (Brettanomyces yeast) that gives wine a manure-like smell and flavor? Well it’s one of the chief reasons that nearly every commercial wine in the world uses at least a little sulfur dioxide.

Even after a wine has fermented to dryness (no more sugar for the yeasts to eat) there are still lots of living things in the wine that potentially can cause the wine to change in ways that most winemakers want to prevent. One of the last steps in the winemaking process is to either make sure that there’s nothing more for these little critters to feed on, or more commonly, to try to either kill them or remove them from the wine. Hence the use of sulfur dioxide (think edible RAID for renegade yeasts) and filtration (which strips them out of the wine completely with a strainer, so to speak).

The problem with sulfur dioxide is that it stays in the wine, and in large doses can change the flavor and aroma of the wine, as well as increase the likelihood that people with allergies or sensitivities to sulfites will have a reaction to the wine. And the problem with filtration is that it tends to strip out a lot of the character of the wine — unfiltered wines tend to be more complex and to show their terroir better.

It’s the sulfite problem, I believe, that has really motivated the investigation into UV treatment of wines. The idea being that if there is a way to kill the active biological agents in a wine without adding sulfur, then so much the better for everyone. And that’s just what this new processing seems to do. Wine gets sloshed around in a series of chambers and exposed to UV light until all the yeasts and bacteria are dead. Simple as that.

Of course, anyone who makes handcrafted wines will tell you that “sloshing wine around in a series of chambers” is not exactly how they′d want to treat their young wine. Much is done in the winemaking process to avoid excessive turbulence and agitation of the wine. You’ve doubtless read or heard wineries make a big deal about being gravity-fed, and not doing any pumping of their wine, for precisely this reason.

But leaving aside for the moment the question of whether this agitation might do more harm to the wine, this technology interests me the most for its secondary benefit: the potential to keep many wineries from having to filter their wines.

I′ll drink wine treated with sulfur dioxide all day long for the rest of my life (well, I do anyway at the moment). But whenever possible, I choose to drink wines (especially red) that are unfined and unfiltered, because invariably they are simply better than wines that aren’t.

Filtration and fining (a process used to reduce sediment while the wine is in barrel) are quite common winemaking practices, especially here in the United States. They are used both to prevent biological agents in the wine from acting up and re-fermenting the wine once it has been bottled, and, unfortunately, to remove cloudiness and sediment from wine because American consumers see them as flaws and often refuse to buy cloudy or sedimentary wines or return them after purchase if they notice such things.

It’s a sad but understandable state of affairs. A lot of wineries take a better safe than sorry approach, and both fine and filter their wines rather than risk either spoilage or consumer rejection. But as a result, they often strip the soul out of their wines.

But if tomorrow, every winemaker in the world stopped filtering thanks to some handy UV technology, the quality of wine would significantly increase immediately, and, dare I say it, there would be a lot more terroir out there on the market.

Really it’s like some sort of Kermit Lynch (an importer who has championed unfiltered wines for years) wet dream. The idea that even $8 wines produced in large quantities could conceivably get to market without fining and filtration is a really tantalizing future. Of course there’s still a lot of education to do to convince consumers to ignore the sediment and cloudiness in their wine. But the world would certainly drink better for it.

It’s quite encouraging to see technological progress like this in the wine world, especially when it might offer both the opportunity to get more people drinking wine (for less fear of headaches and reactions) and make it easier to make wines with a little more soul.

Original post by Alfonso Cevola

Vinography Images: One Red Grape

Saturday, January 31st, 2009

vinography_desktop_one_red_grape.jpg

One Red Grape

Veraison [ver-ay-zun]. Noun. The stage of grape berry development that marks the beginning of ripening when the grapes change from their hard green state to their soft and coloured form. During veraison the sugar volume in the berry and its size increase and the acidity decreases. The change in color marks the replacement of green chlorophyll with the darker pigmented anthocyanins that will produce the complex fruit flavors in the grape as well as the wine.

INSTRUCTIONS:
Download this image by right-clicking on the image and selecting “save link as” or “save target as” and then select the desired location on your computer to save the image. Mac users can also just click the image to open the full size view and drag that to their desktops.

To set the image as your desktop wallpaper, Mac users should follow these instructions, while PC users should follow these.

PRINTS:
If you are interested in owning an archive quality, limited edition print of this image please contact photographer Andy Katz through his web site.

ABOUT VINOGRAPHY IMAGES:
Vinography regularly features images by photographer Andy Katz for readers’ personal use as desktop backgrounds or screen savers. We hope you enjoy them. Please respect the copyright on these images.

Original post by Alfonso Cevola

2007 Cooper Mountain Vineyards “20th Anniversary Reserve” Pinot Noir, Willamette Valley, Oregon

Friday, January 30th, 2009

One of the great pleasures of wine appreciation will always be the process of tasting the wine of a single winery over a very long span of time. Tracking the products of a winery’s labor over the years can be remarkably rewarding regardless of whether the experience is one of consistency, or of progress and change.

I’ve only had the pleasure of tasting the last two vintages of wine from a little family winery in Oregon’s Willamette Valley. Despite my recent introduction to Cooper Mountain Vineyards, I can almost taste the twenty years that came before this, their 20th vintage. Over those twenty years, the winery has evolved considerably, and no doubt the wines have as well.

The Goss family farm has actually been growing wine grapes since 1978, when Psychiatrist Dr. Robert Goss and his wife Corrine planted their Pinot Noir, Chardonnay, and Pinot Gris vines on the sloping sides of Cooper Mountain outside of Beaverton, Oregon.

Cooper Mountain is an extinct volcano, but you wouldn’t know that by looking at it necessarily. And depending on where you come from, you might not even call it much of a mountain, rising only 734 feet above sea level as it does. But you don’t need cooper_20th_pn_07.jpgstatuesque peaks to make good wine, you just need good soil, and apparently Cooper Mountain provides great raw material in the form of fast-draining, mineral-rich soils.

After selling their grapes to wineries for the first four or five years of production, the Goss family decided to begin making their own wines in 1987. Around this time Dr. Goss also became interested in sustainable farming, and began the journey that led them first to organic farming and winemaking, and then to full Biodynamic winemaking, which the winery has been practicing since 1990, and has been certified for since 1999.

I think it would have been fascinating to see the evolution of the wines over time, both as the vineyard practices improved, as well as watching the winemaking style shift to accommodate the strictures of Organic and Biodynamic regulations.

Interestingy, in addition to their full Biodynamic regimen, the winery has also been making a wine with no added sulfites (since wine contains naturally occurring sulfites, it can′t be called “sulfite free″) for the last 5 years — the first of its kind in the United States.

The winery has continued to evolve with the addition of full-time winemaker Gilles De Domingo in 2004. Having grown up working the family winery in Bordeaux, De Domingo trained as a winemaker in Australia, New Zealand, and South Africa, before moving to Oregon to work at wineries like King Estate and Bridgeview prior to joining Cooper Mountain.

De Domingo makes several wines from the winery’s 100 acres of vineyards, split into three tiers — an entry level series of wines under the Cooper Hill label, and then a Reserve series and a small production set of wines known as the Five Elements series. Presumably this wine, despite it’s 20th Anniversary designation fits into the middle tier “reserve” series of wines. Blended from several of the estate’s vineyard sites it is supposed to be a high quality, moderately priced Oregon Pinot Noir, and it succeeds admirably on all counts.

My experiences with the single vineyard bottlings, such as their Mountain Terroir Pinot Noir, have been great, and like this wine, they seem to exude a sense of honesty. Cooper Mountain Vineyards is making some excellent wines that are worth seeking out now, but also worth watching over time, as I suspect they will continue to get better.

Full disclosure: I received this wine as a press sample.

Tasting Notes:
Light ruby in color, this wine has a somewhat shy nose of smoked meat, dry pine duff, and wet dirt. In the mouth it is delicate and beautifully balanced with a remarkable sense of having just been yanked up (or poured through) a patch of earth. Flavors of woodsmoke, wet earth, and dried pine needles surround a tart raspberry and redcurrant fruit core. Very distinctive flavors linger into a nice finish.

Food Pairing:
I′d love to drink this wine with Chinese tea-smoked duck, which is sort of the Chinese equivalent of duck confit. Tasty stuff and perfect for the smokiness of this wine.

Overall Score: around 9

How Much?: $25

This wine is available for purchase on the Internet.

Original post by Alfonso Cevola

Anderson Valley Alsace Varietals Festival: February 21, Boonville, CA

Thursday, January 29th, 2009

With all the fanfare surrounding Cabernet and Pinot Noir coupled with the obsession this country seems to have with Chardonnay, it’s sometimes hard for people to remember that California produces a lot of different kinds of wine. It’s even harder, it seems, to get people to drink some of it.

Enter what may be the most unique wine festival in California and perhaps the country. Some of the most under-appreciated and least consumed wines in the state are those made from grapes like Gewurztraminer, Pinot Blanc, Pinot Gris, and Riesling. There aren’t a lot of places in California where these grapes alsace_festival.gifthrive, but the Anderson Valley, three hours north of San Francisco, is the de-facto home for growing and making wines from these varietals in the style common to the French border region of Alsace.

California grown Alsatian-style wines are not plentiful, nor are they particularly well publicized, but that seems to suit both the winemakers of Anderson Valley, and the folks who have been happily buying their wines for years. But in the interest of spreading the word, and the love, a couple of years ago all the winemakers who produce these wines decided that they needed to get together to showcase and celebrate their shared passion.

2009 marks the 4th Annual Anderson Valley Alsace Varietals Festival. The event continues to draw a loyal following of wine lovers as well as those curious (and lucky) enough to make the trek into the idyllic green of Anderson Valley in February.

The events begin at 8:15 AM Saturday morning, February 9th, with a technical seminar on growing and making Alsatian style wines given by both local and visiting winemakers. The grand tasting begins afterwards at 12:30 and goes until 3:30 PM, after which attendees have a chance to relax before a winemaker dinner begins at 6:30 at Scharffenberger cellars. Tickets are available for each event separately, or as a package. On Sunday the 22nd, most wineries in the valley hold open houses with food and, of course, more wine to taste. If you can find a nice B&B to settle into on Friday and Saturday night, you can make quite a nice weekend of it. And if not, well, the drive is quite pretty.

4th Annual Anderson Valley Alsace Varietals Festival
Grand Tasting February 21, 12:30 PM
Mendocino County Fairgrounds
14400 Highway 128
Boonville, CA 95415 (map)

Tickets to the Grand Tasting are $65 and the seminar costs $45, or you can buy a joint ticket for $100. As a nice gesture to the long drive that some may make, you can also buy a designated driver ticket that gets you food only for $35. The winemaker dinner costs $125. Tickets should be purchased in advance online.

If you’re planning on making the drive, make sure to give yourself plenty of time, and if you get carsick, take something in advance, as the road is quite twisty. Here’s a site that has some lodging options if you need them.

Original post by Alfonso Cevola

Crackpots, Wackos, Nutjobs and Wine: a Winning Combination.

Wednesday, January 28th, 2009

Some of the best wines I’ve ever had in my life seem to have one strange thing in common. They are made by people that, depending on your mood, might be described as cranks, hermits, crackpots, wackos, or eccentrics. Winemaking it seems, tends to either bring out the strangeness in people, or it tends to simply attract the strange ones.

Every wine writer has at one time or another compared wine to alchemy, myself included. Such comparisons invariably focus on the magical qualities of wine that somehow end up being more than the sum of their parts. But the characterization of winemaking in alchemical terms may be even more apt for the parallels between the way that arcane science was practiced and those who are changing the game in winemaking.

As far back as the first century BCE, obsessed with the quest to turn lead to gold, many men literally spent their lives and their fortunes toiling in homemade laboratories. The alchemists were a somewhat furtive bunch, and even those that didn’t prefer the company of their books to polite society were known for being more than a little eccentric.

Sound like any winemakers you know? The phenomenon that I’ll affectionately call The Crank Winemaker is common enough that any wine lover will have heard of at least one or two. But much more interestingly, these iconoclasts tend to make some of the world’s more amazing wines.

Winemaking at its most honest represents a truly creative act, one that an individual produces through a vision, a plan for how to realize that vision, and then the hard work to carry it out. Along the way, progress is measured most intimately — the ache of the hands after pruning or leafing, the taste of a ripening grape in the mouth, the smell of the fermenter, and of course, the taste of the evolving wine — all personal, visceral, and potentially private experiences. Winemakers, at least those who practice the craft on a scale proportional to their own capacities to manage the entire process, are essentially auteurs.

And the stories that they write are extraordinary:

Italian Prince Alberico Boncompagni Ludovisi
started making wine without any formal training, and then after figuring out how to make phenomenal wines (in part, he said, due to the thick white mold that covered everything in his cellar) he decided not to sell his wines to anyone. Only now after his death are his Fiorano wines available to the world.

Alsatian winemaker Marcel Deiss believes in part that he has a divine mandate to harvest and crush a bizarre mix of Riesling, Gewurztraminer, and Pinot Noir, because in his vineyard they all ripen at the same time. Since he′s already violating the rules of the appellation, he also goes ahead and labels the wine with the vineyard name rather than the varietal.

Slovenian winemaker Ales Kristancic of Movia gets farther off the winemaking map every time he starts a new expedition. His latest creation, Lunar, is not only fully biodynamic, but completely untouched by any mechanical, human or chemical technology from the point at which the grapes are removed from the vine. They’re plopped into barrels and left alone until the juice is ready to be bottled. Never crushed, never filtered, never fined, never racked, nothing.

Josko Gravner, who makes wine in Italy’s Friuli region, doesn′t think traditional winemaking is quite traditional enough. Those wooden barrels that everyone has been using for centuries? Too much newfangled technology. Graver makes his wines in huge clay amphorae that are buried in the ground.

Austrian Roland Velich became obsessed with the untapped potential of Austria’s Blaufrankisch grape, and was convinced it could make world class wines. So he decided to treat the grape from start to finish as if he was making top-flight burgundy. He sometimes only gets a few hundred bottles per acre out of his ancient vines, some of which are over 110 years old.

The godfather of Biodynamics, Loire winemaker Nicolas Joly, makes his Chenin Blanc according to Biodynamic principles, of course, but also exposes his wines to much more air than is normally recommended by racking far more often and more loosely than most winemakers would ever contemplate doing.

Closer to home, Randall Grahm, sometimes known as the enfant terrible of winemaking in the New World, has tried on many strange hats during his career, retiring each one when they are no longer seen as quite extreme. From his beginnings trying to make Rhone style wines in California, which the French said could never be done, to today’s incarnation as a proponent of biodynamics and sensitive crystallization, Grahm may be the poster child for the Crank Winemaker in America.

This is but a brief excerpt from a list that contains names like Didier Dagueneau, Manfred Krankel, Abe Schoener, Fulvio Bressan, Stanislao Radikon, Eben Sadie, Sean Thackrey, Frank Cornelissen, and hundreds more.

Something knits together the clan of people that strike out to plant grapes where none thought they would grow, that throw away the rule books and make wine according to intuition, that combine grapes and wood and time in ways that no one ever considered before. I don’t doubt it’s the same thing that unites iconoclasts in every aesthetic field, from painting to cooking to architecture.

The fact that we can drink their work (perhaps excepting some extreme hermits, or extremely expensive examples) makes the Crank Winemakers stuff that modern odysseys are made of — wines to strive, to seek, and to find ways to consume, as often as possible.

What we really need, though, are a set of Crank Winemaker trading cards, that we can collect and trade along with empty bottles of their wine, making sure that we’ve tasted their stuff while they’re still in their prime, and reminiscing about the great vintages when they’re gone.

Who would you add to the deck, and why?

Original post by Alfonso Cevola

Jumping the Snark

Tuesday, January 27th, 2009

I’ve been away from the home fires for a couple of days and seem to have landed in Dante’s Hell for journalists. As I mentioned to a friend earlier today, I am the Invisible Man. I mean, I know I don’t live in NY any longer (not any longer than I had to), but when you meet a person 4-5-6 times, you’d think they’d at least try to pretend to remember you. Hey, I don’t want them to present me with an award, but these are folks who are writing about wine and the hospitality business. Seems they could stand to take a cue and become a little more hospitable. Not to mention the benefits from actively working with contacts like we do mulch. The new network? Meh, a lot of these folks are from the dead tree school of writing.

So, I’m in a press conference. Basically a bunch of weary Italian speakers spouting banalities about Brunello and how great Italy is. Along the way a writer (one whose book on Italian wine up to this moment I had recommended to everybody) asks the panel a question. No one on the panel answered that person. So I decided to open up my “no good deed goes unpunished” toolbox and reached on in and tried and help this writer out. After all, we’re colleagues right? Oh wait, the PR firm didn’t get my request for the luncheon so they would allow me to come to the press conference but not to the press meal. I guess they only had so much swag to go around. Not to worry, the merchant’s luncheon was much more fun.

Anyway, I turned to the writer and asked, “Did you get an answer to your question?” The reply, a curt “No.” So in my innocence I volunteered, “Well, you should look up so and so, he’s a professor at the University of Torino and a pretty well known enologist and he is looking after the analysis of the wines of Montalcino. He can do this kind of analysis with any wine and he is the best in the business.” I know this because he consults for a handful of wineries I do business with for many years. He’s a real person.

This expert writer now scowls at me. “I am not talking about anthocyanins; everybody can get that kind of information.” At this point I am really regretting being a nice person from The West who was raised to be polite to everybody, even those afflicted with foot-in-mouth disease. I drop-kick the punt. “It appears you don’t want my information to provide you with the answer. But even if that is not what you are looking for, that is the answer.” And I turn 180 degrees and remove this person from my field of sight.

We have folks in a dying or dead industry. Journalism and book publishing. And we are attempting to exchange ideas, bring them up to speed. Remember? I am the Invisible Man, I don’t exist.

This is where bloggers are the tsunami that are just rolling up over the dead tree scribes who are still waiting for the 9th wave to come take them to some ink-fraught Valhalla. Well, there is no free ride. If you were famous then, if you don’t reinvent yourself again in today’s world, you will truly become invisible.

My point? Other than the endless frustration with the old school media who I have to keep reintroducing myself to at seminars (a very humbling and tedious ritual for a normally shy person like me), I think it is that you think you are going to engage in some brainstorming with fellow colleagues and what you have really done is to have landed yourself in the cockfighting ring. And for some reason, it seems to be worse with females. Maybe they have had to scratch through all those glass ceilings all those years and they are just wary of another white middle-aged male. If that’s all they see, I pity them for their apprehension. I’m not a threat. I have a day job. I don’t want their gig or their assignment or their spotlight.

So where was I? Tonight at a grand dinner, where all kinds of awards were being given out like candy at Halloween, happily I sat next to a young Italian who works in promoting the products of one of the regions of Italy. We talked about some of the things I have wanted to talk about to some of the press folks. But here, we managed to cut to the chase and dig into the idea of what an Italian producer of wine needs to comprehend, and quickly. We have a whole new culture of young people from 22-40 who don’t care to listen through a rash of white haired old speechmakers spouting platitudes and non answers. These are the up and coming generations, who are looking for info in under a minute. They want the message to be cool and hot at the same time. And short. The Italian wine marketer who can talk to that group and keep the lines of communication open will build their business across this country and land it in the Hudson.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Original post by Alfonso Cevola

The Best 2006 Bordeaux: Tasting the Union des Grands Crus

Tuesday, January 27th, 2009

Every Spring the wine world begins to buzz with the anticipation of tasting through the latest vintage of Bordeaux. I’ve never been to the En Primeurs tastings, but I would like to go sometime to see the pomp and circumstance, but not really to taste the wines. Young Bordeaux are some of the most difficult and unpleasant wines to taste in the entire universe, especially when they’re not made particularly well.

A tasting of the 2006 vintage a few days ago, sponsored by the Union de Grands Crus des Bordeaux, was a both a good reminder to not open any of my own Bordeaux for a few more years, as well as an insightful view into particulars of that vintage in the region. ugcb_logo.gif

In general, I’m not impressed. The last time I tasted through a significant cross section of Bordeaux was for the 2002 which seemed to be more consistent in its quality.

The 2006 vintage in Bordeaux was variable due to some unexpected weather at various points in the growing cycle — cool early on, some heat spikes in August, and then some rainfall around harvest time. Crop yields were down in general, and this was apparently a year where the decision on when to pick your grapes could have a dramatic impact on the quality of the wine that you produced. Some got their grapes in during beautifully sunny, dry weather, while others battled rains into September.

Overall, the vintage, to my palate, has resulted in some extremely tannic wines, many of which lean towards the bitter side of the spectrum. Not surprisingly, as a group the wines continue to be marked by a surfeit of new oak, regardless of whether the wines are structured to accommodate this choking dose of wood. The result are wines whose true character are obscured by vanilla and toast, as winemakers in the region seem obstinate in their insistence on new, toasty oak.

It didn’t register at the time I was tasting all these wines, but on reflection it seems that the Right Bank wines were more to my taste in this vintage than the Left (which is not my usual order of preference, as I generally favor Margaux over others).

The red wine that most impressed me of the tasting was the Chateau Angelus, which struck me as being clearly the best made wine in the room, but still was not as extraordinary as it has been in better vintages. With time, however, the 2006 will clearly be a fantastic wine.

The white wines of Graves, Pessac-Leognan, and Sauternes (albeit via the somewhat limited view that this tasting afforded) seemed quite good, with excellent acids and great flavors. When it comes to favorites in this department, there’s simply no contest. Both Chateau Climens and Suduiraut were in rare form.

In short, I wouldn’t recommend anyone rush out and buy these wines when they hit the market here in a couple of months, unless you’re in the habit of squirreling away a few top bottlings for a couple of decades, and aren’t short of cash to do so. If I was going to spend more than $50 on a bottle of Bordeaux right now, I’d be buying the 1996 vintage at auction.

2006 Bordeaux Grand Cru Red Wine

RED WINES SCORING BETWEEN 9 AND 9.5
2006 Château Angélus, Saint-Émilion Grand Cru. $190. Where to buy?
2006 Château Beau - Séjour Bécot, Saint-Émilion Grand Cru. $60. Where to buy?
2006 Château Beauregard, Pomerol. $45. Where to buy?
2006 Château Canon - La - Gaffelière, Saint-Émilion Grand Cru. $75. Where to buy?
2006 Château Grand - Mayne, Saint-Émilion Grand Cru
2006 Château Haut - Bailly, Pessac-Léognan. $60. Where to buy?
2006 Château Kirwan, Margaux. $45. Where to buy?
2006 Château Les Carmes Haut-Brion, Pessac-Léognan. $65. Where to buy?
2006 Château Pichon Longueville Comtesse de Lalande, Pauillac. $115. Where to buy?
2006 Château Rauzan - Ségla, Margaux. $70. Where to buy?

RED WINES WITH A SCORE AROUND 9
2006 Château Beychevelle, Saint Julien
2006 Château Cantenac-Brown, Margaux
2006 Château Carbonnieux, Pessac-Léognan
2006 Château Clinet, Pomerol
2006 Château Croizet-Bages, Pauillac
2006 Château d’ Armailhac, Pauillac
2006 Château de Chantegrive, Graves
2006 Château Figeac, Saint-Émilion Grand Cru
2006 Château Giscours, Margaux
2006 Château La Couspaude, Saint-Émilion Grand Cru
2006 Château Larcis Ducasse, Saint-Émilion Grand Cru
2006 Château Malartic - Lagravière, Pessac-Léognan
2006 Château Ormes De Pez, Saint Estephe
2006 Château Pape Clément, Pessac-Léognan
2006 Château Petit-Village, Pomerol
2006 Château Pontet-Canet, Pauillac
2006 Château Smith Haut-Lafitte, Pessac-Léognan
2006 Château Troplong Mondot, Saint-Émilion Grand Cru
2006 Clos Fourtet, Saint-Émilion Grand Cru
2006 Domaine de Chevalier, Pessac-Léognan

RED WINES SCORING BETWEEN 8.5 AND 9
2006 Château Batailley, Pauillac
2006 Château Beaumont, Haut Médoc
2006 Château Brane-Cantenac, Margaux
2006 Château Canon, Saint-Émilion Grand Cru
2006 Château Chasse - Spleen, Moulis en Médoc
2006 Château Clarke, Listrac Médoc
2006 Château Clerc Milon, Pauillac
2006 Château d’Angludet, Margaux
2006 Château Dassault, Saint-Émilion Grand Cru
2006 Château de Fieuzal, Pessac-Léognan
2006 Château de France, Pessac-Léognan
2006 Chateau Desmirail, Margaux
2006 Château Durfort Vivens, Margaux
2006 Château Franc Mayne, Saint-Émilion Grand Cru
2006 Château Lafon - Rochet, Saint Estephe
2006 Château Lagrange, Saint Julien
2006 Château Larrivet - Haut - Brion, Pessac-Léognan
2006 Château Lascombes, Margaux
2006 Château Léoville Poyferré, Saint Julien
2006 Château Lynch - Bages, Pauillac
2006 Château Malescot Saint-Exupéry, Margaux
2006 Château Olivier, Pessac-Léognan
2006 Château Pavie - Macquin, Saint-Émilion Grand Cru

RED WINES WITH A SCORE AROUND 8.5
2006 Château Bouscaut, Pessac-Léognan
2006 Château Camensac, Haut Médoc
2006 Château Dauzac, Margaux
2006 Château du Tertre, Margaux
2006 Château Gazin, Pomerol
2006 Château Greysac, Médoc
2006 Château Gruaud Larose, Saint Julien
2006 Château Haut - Bages Libéral, Pauillac
2006 Château La Tour de By, Médoc
2006 Château Labegorce, Margaux
2006 Château Larmande, Saint-Émilion Grand Cru
2006 Château Latour - Martillac, Pessac-Léognan
2006 Château Marquis de Terme, Margaux
2006 Château Phélan Ségur, Saint Estephe
2006 Château Pichon - Longueville, Pauillac
2006 Château Rauzan Gassies, Margaux
2006 Château Talbot, Saint Julien

RED WINES SCORING BETWEEN 8 AND 8.5
2006 Château Branaire - Ducru, Saint Julien
2006 Château Cantemerle, Haut Médoc
2006 Château Ferrière, Margaux
2006 Château Fourcas-Hosten, Listrac Médoc
2006 Château Grand - Puy - Ducasse, Pauillac
2006 Château L′ Évangile, Pomerol
2006 Château La Gaffelière, Saint-Émilion Grand Cru
2006 Château La Louvière, Pessac-Léognan
2006 Château La Tour Carnet, Haut Médoc
2006 Château Lynch - Moussas, Pauillac
2006 Château Poujeaux, Moulis en Médoc
2006 Château Prieuré - Lichine, Margaux
2006 Château Saint-Pierre, Saint Julien
2006 Château Trottevieille, Saint-Émilion Grand Cru

RED WINES WITH A SCORE AROUND 8
2006 Château La Dominique, Saint-Émilion Grand Cru
2006 Château La Lagune, Haut Médoc

2006 Bordeaux Grand Cru White Wine

WHITE WINES SCORING BETWEEN 9.5 AND 10
2006 Château Climens, Sauternes et Barsac. $90. Where to buy?
2006 Château Suduiraut, Sauternes et Barsac. $70. Where to buy?

WHITE WINES WITH A SCORE AROUND 9.5
2006 Château Carbonnieux, Pessac-Léognan. $50. Where to buy?
2006 Château Doisy Daëne, Sauternes et Barsac. $120. Where to buy?

WHITE WINES SCORING BETWEEN 9 AND 9.5
2006 Château Bastor-Lamontagne, Sauternes et Barsac
2006 Château Guiraud, Sauternes et Barsac
2006 Château Sigalas - Rabaud, Sauternes et Barsac
2006 Domaine de Chevalier, Pessac-Léognan

WHITE WINES WITH A SCORE AROUND 9
2006 Château Bouscaut, Pessac-Léognan
2006 Château de Chantegrive, Graves
2006 Château de Rayne Vigneau, Sauternes et Barsac
2006 Château La Tour Blanche, Sauternes et Barsac
2006 Château Malartic - Lagravière, Pessac-Léognan
2006 Château Pape Clément, Pessac-Léognan

WHITE WINES SCORING BETWEEN 8.5 AND 9
2006 Château Coutet, Sauternes et Barsac
2006 Château de Fieuzal, Pessac-Léognan
2006 Château de France, Pessac-Léognan
2006 Château Larrivet - Haut - Brion, Pessac-Léognan
2006 Château Latour - Martillac, Pessac-Léognan

WHITE WINES WITH A SCORE AROUND 8.5
2006 Château Olivier, Pessac-Léognan

WHITE WINES SCORING BETWEEN 8 AND 8.5
2006 Château La Louvière, Pessac-Léognan

Original post by Alfonso Cevola

The Best 2006 Bordeaux: Tasting the Union Des Grand Crus

Tuesday, January 27th, 2009

Every Spring the wine world begins to buzz with the anticipation of tasting through the latest vintage of Bordeaux. I’ve never been to the En Primeurs tastings, but I would like to go sometime to see the pomp and circumstance, but not really to taste the wines. Young Bordeaux are some of the most difficult and unpleasant wines to taste in the entire universe, especially when they’re not made particularly well.

A tasting of the 2006 vintage a few days ago, sponsored by the Union de Grands Crus des Bordeaux, was a both a good reminder to not open any of my own Bordeaux for a few more years, as well as an insightful view into particulars of that vintage in the region. ugcb_logo.gif

In general, I′m not impressed. The last time I tasted through a significant cross section of Bordeaux was for the 2002 which seemed to be more consistent in its quality.

The 2006 vintage in Bordeaux was variable due to some unexpected weather at various points in the growing cycle — cool early on, some heat spikes in August, and then some rainfall around harvest time. Crop yields were down in general, and this was apparently a year where the decision on when to pick your grapes could have a dramatic impact on the quality of the wine that you produced. Some got their grapes in during beautifully sunny, dry weather, while others battled rains into September.

Overall, the vintage, to my palate, has resulted in some extremely tannic wines, many of which lean towards the bitter side of the spectrum. Not surprisingly, as a group the wines continue to be marked by a surfeit of new oak, regardless of whether the wines are structured to accommodate this choking dose of wood. The result are wines whose true character are obscured by vanilla and toast, as winemakers in the region seem obstinate in their insistence on new, toasty oak.

It didn’t register at the time I was tasting all these wines, but on reflection it seems that the Right Bank wines were more to my taste in this vintage than the Left (which is not my usual order of preference, as I generally favor Margaux over others).

The red wine that most impressed me of the tasting was the Chateau Angelus, which struck me as being clearly the best made wine in the room, but still was not as extraordinary as it has been in better vintages. With time, however, the 2006 will clearly be a fantastic wine.

The white wines of Graves, Pessac-Leognan, and Sauternes (albeit via the somewhat limited view that this tasting afforded) seemed quite good, with excellent acids and great flavors. When it comes to favorites in this department, there’s simply no contest. Both Chateau Climens and Suduiraut were in rare form.

In short, I wouldn’t recommend anyone rush out and buy these wines when they hit the market here in a couple of months, unless you’re in the habit of squirreling away a few top bottlings for a couple of decades, and aren’t short of cash to do so. If I was going to spend more than $50 on a bottle of Bordeaux right now, I’d be buying the 1996 vintage at auction.

2006 Bordeaux Grand Cru Red Wine

RED WINES SCORING BETWEEN 9 AND 9.5
2006 Château Angélus, Saint-Émilion Grand Cru. $190. Where to buy?
2006 Château Beau - Séjour Bécot, Saint-Émilion Grand Cru. $60. Where to buy?
2006 Château Beauregard, Pomerol. $45. Where to buy?
2006 Château Canon - La - Gaffelière, Saint-Émilion Grand Cru. $75. Where to buy?
2006 Château Grand - Mayne, Saint-Émilion Grand Cru
2006 Château Haut - Bailly, Pessac-Léognan. $60. Where to buy?
2006 Château Kirwan, Margaux. $45. Where to buy?
2006 Château Les Carmes Haut-Brion, Pessac-Léognan. $65. Where to buy?
2006 Château Pichon Longueville Comtesse de Lalande, Pauillac. $115. Where to buy?
2006 Château Rauzan - Ségla, Margaux. $70. Where to buy?

RED WINES WITH A SCORE AROUND 9
2006 Château Beychevelle, Saint Julien
2006 Château Cantenac-Brown, Margaux
2006 Château Carbonnieux, Pessac-Léognan
2006 Château Clinet, Pomerol
2006 Château Croizet-Bages, Pauillac
2006 Château d’ Armailhac, Pauillac
2006 Château de Chantegrive, Graves
2006 Château Figeac, Saint-Émilion Grand Cru
2006 Château Giscours, Margaux
2006 Château La Couspaude, Saint-Émilion Grand Cru
2006 Château Larcis Ducasse, Saint-Émilion Grand Cru
2006 Château Malartic - Lagravière, Pessac-Léognan
2006 Château Ormes De Pez, Saint Estephe
2006 Château Pape Clément, Pessac-Léognan
2006 Château Petit-Village, Pomerol
2006 Château Pontet-Canet, Pauillac
2006 Château Smith Haut-Lafitte, Pessac-Léognan
2006 Château Troplong Mondot, Saint-Émilion Grand Cru
2006 Clos Fourtet, Saint-Émilion Grand Cru
2006 Domaine de Chevalier, Pessac-Léognan

RED WINES SCORING BETWEEN 8.5 AND 9
2006 Château Batailley, Pauillac
2006 Château Beaumont, Haut Médoc
2006 Château Brane-Cantenac, Margaux
2006 Château Canon, Saint-Émilion Grand Cru
2006 Château Chasse - Spleen, Moulis en Médoc
2006 Château Clarke, Listrac Médoc
2006 Château Clerc Milon, Pauillac
2006 Château d’Angludet, Margaux
2006 Château Dassault, Saint-Émilion Grand Cru
2006 Château de Fieuzal, Pessac-Léognan
2006 Château de France, Pessac-Léognan
2006 Chateau Desmirail, Margaux
2006 Château Durfort Vivens, Margaux
2006 Château Franc Mayne, Saint-Émilion Grand Cru
2006 Château Lafon - Rochet, Saint Estephe
2006 Château Lagrange, Saint Julien
2006 Château Larrivet - Haut - Brion, Pessac-Léognan
2006 Château Lascombes, Margaux
2006 Château Léoville Poyferré, Saint Julien
2006 Château Lynch - Bages, Pauillac
2006 Château Malescot Saint-Exupéry, Margaux
2006 Château Olivier, Pessac-Léognan
2006 Château Pavie - Macquin, Saint-Émilion Grand Cru

RED WINES WITH A SCORE AROUND 8.5
2006 Château Bouscaut, Pessac-Léognan
2006 Château Camensac, Haut Médoc
2006 Château Dauzac, Margaux
2006 Château du Tertre, Margaux
2006 Château Gazin, Pomerol
2006 Château Greysac, Médoc
2006 Château Gruaud Larose, Saint Julien
2006 Château Haut - Bages Libéral, Pauillac
2006 Château La Tour de By, Médoc
2006 Château Labegorce, Margaux
2006 Château Larmande, Saint-Émilion Grand Cru
2006 Château Latour - Martillac, Pessac-Léognan
2006 Château Marquis de Terme, Margaux
2006 Château Phélan Ségur, Saint Estephe
2006 Château Pichon - Longueville, Pauillac
2006 Château Rauzan Gassies, Margaux
2006 Château Talbot, Saint Julien

RED WINES SCORING BETWEEN 8 AND 8.5
2006 Château Branaire - Ducru, Saint Julien
2006 Château Cantemerle, Haut Médoc
2006 Château Ferrière, Margaux
2006 Château Fourcas-Hosten, Listrac Médoc
2006 Château Grand - Puy - Ducasse, Pauillac
2006 Château L’ Évangile, Pomerol
2006 Château La Gaffelière, Saint-Émilion Grand Cru
2006 Château La Louvière, Pessac-Léognan
2006 Château La Tour Carnet, Haut Médoc
2006 Château Lynch - Moussas, Pauillac
2006 Château Poujeaux, Moulis en Médoc
2006 Château Prieuré - Lichine, Margaux
2006 Château Saint-Pierre, Saint Julien
2006 Château Trottevieille, Saint-Émilion Grand Cru

RED WINES WITH A SCORE AROUND 8
2006 Château La Dominique, Saint-Émilion Grand Cru
2006 Château La Lagune, Haut Médoc

2006 Bordeaux Grand Cru White Wine

WHITE WINES SCORING BETWEEN 9.5 AND 10
2006 Château Climens, Sauternes et Barsac. $90. Where to buy?
2006 Château Suduiraut, Sauternes et Barsac. $70. Where to buy?

WHITE WINES WITH A SCORE AROUND 9.5
2006 Château Carbonnieux, Pessac-Léognan. $50. Where to buy?
2006 Château Doisy Daëne, Sauternes et Barsac. $120. Where to buy?

WHITE WINES SCORING BETWEEN 9 AND 9.5
2006 Château Bastor-Lamontagne, Sauternes et Barsac
2006 Château Guiraud, Sauternes et Barsac
2006 Château Sigalas - Rabaud, Sauternes et Barsac
2006 Domaine de Chevalier, Pessac-Léognan

WHITE WINES WITH A SCORE AROUND 9
2006 Château Bouscaut, Pessac-Léognan
2006 Château de Chantegrive, Graves
2006 Château de Rayne Vigneau, Sauternes et Barsac
2006 Château La Tour Blanche, Sauternes et Barsac
2006 Château Malartic - Lagravière, Pessac-Léognan
2006 Château Pape Clément, Pessac-Léognan

WHITE WINES SCORING BETWEEN 8.5 AND 9
2006 Château Coutet, Sauternes et Barsac
2006 Château de Fieuzal, Pessac-Léognan
2006 Château de France, Pessac-Léognan
2006 Château Larrivet - Haut - Brion, Pessac-Léognan
2006 Château Latour - Martillac, Pessac-Léognan

WHITE WINES WITH A SCORE AROUND 8.5
2006 Château Olivier, Pessac-Léognan

WHITE WINES SCORING BETWEEN 8 AND 8.5
2006 Château La Louvière, Pessac-Léognan

Original post by Alfonso Cevola

Clogging & Crypto-kibitzing

Sunday, January 25th, 2009

Change. Yeah, everybody’s talking about it. From what I’ve seen and heard this week, though, my takeaway is this: Everybody wants everything around them to change, as long as they don’t need to be doing any of the changing themselves.

So, a different era, but the S.O.S.? Good luck with that one, people of earth.

Now we’ve got all these newbies on board, some of ‘em who want to serve man, and already folks are trying to figure out ways to snake out of the commit. Tryin’ to make it real, compared to what?

OK, I’m ready to change, or else. Straight on down the line, folks. Down-size? Will do. Figure out how to sell wine to a society not driven by consumerism? We might not sell 20% more a year for the next seven years, but I bet we will give the wine drinkers a better experience. It’s already going in that direction anyway, so we might as well step out of the showers and break out of the camp. It’s going there.

A while back I wrote that I was scaling back to two posts a week @ On the Wine Trail in Italy because of another blog-gig in development. Well, it’s up and running, called The Blend. Right now I’m doing a bit of “repurposing” on it, but the (self-imposed) parameter is to provide pertinent wine and spirits info to my colleagues in the day job, as well as anyone else who’d like to surf on by. So now, I’m a clogger too. We’re still getting our legs, but the reception (and the traffic) has been way over my expectations. I guess we done had us another baby, ma. Anyway, check it out, The Blend.

I seem to be obsessed with older television and motion picture themes lately, sorry about that. My sidekick in Austin, Dr. J, (”Hutch”) has been passively encouraging me to run this out of my system. Like it has been said so many times before, it ain’t dogma, it’s just a blog, ma.

The V.P.’s and general sales managers have been streaming out of the office to California for the end of year sales and performance reviews with the wineries, and some of them have been coming back saying we here in Texas have been showing the rest of the country how important tenacity is in these times. Having lived here all these years, I’m not sure if it is just plain stubbornness or perhaps not buying into the bicoastal American dream. You know, lots of credit, other people’s money, buy low, sell high. Or don’t even buy, just take the money and tell folks how great everything is, and don’t invest a penny. Well, we here in flyover country probably have a retinue of sins, venial and mortal on our bloodied hands, but for the time it looks like we made it through the year with only flesh wounds. We’re talking sales now folks. But 2009 is barreling past us and things are s.l.o.w.i.n.g. d.o.w.n. Duh.

I don’t mean to rant, but last week I was in two steakhouses and two Asian restaurants. The Asian places had food that seemed to be more serious. Smaller portions (and prices) higher sourcing and quality. I had a Carbonara at one of them that was better than any Italian place nearby. And I had a Bolognese at an Italian-inclined (?) concept that had nothing to do with Bolognese. So, go figure. I’m crazy. Hey, while my Austinopoli co-conspirator wants to make the world safe for Italian wine, I just want to serve man. With as little salt and garlic as possible.

I had a Petite Sirah from Seghesio and a Zinfandel from Pellegrini Family Vineyard this week and I loved them both. This week over a corked bottle of 2001 Brunello ( it said it was 100% Sangiovese on the label, I kid you not! ) and a better 2004 Sagrantino I chatted with Robert Pellegrini about the history of Italians growing wine in early Californian and the impact it has had on the industry. It’s part of research I am doing for a presentation in July in Sacramento for the Society of Wine Educators Conference.

So, that along with folks in Washington getting to keep their Blackberry to communicate with the outside world, that’s about all these is in my little Kanamit Cookbook tonight.

Buon Appetito!

Original post by Alfonso Cevola

Clogging & Crypto-kibitzing

Sunday, January 25th, 2009

Change. Yeah, everybody’s talking about it. From what I’ve seen and heard this week, though, my takeaway is this: Everybody wants everything around them to change, as long as they don’t need to be doing any of the changing themselves.

So, a different era, but the S.O.S.? Good luck with that one, people of earth.

Now we’ve got all these newbies on board, some of ‘em who want to serve man, and already folks are trying to figure out ways to snake out of the commit. Tryin’ to make it real, compared to what?

OK, I’m ready to change, or else. Straight on down the line, folks. Down-size? Will do. Figure out how to sell wine to a society not driven by consumerism? We might not sell 20% more a year for the next seven years, but I bet we will give the wine drinkers a better experience. It’s already going in that direction anyway, so we might as well step out of the showers and break out of the camp. It’s going there.

A while back I wrote that I was scaling back to two posts a week @ On the Wine Trail in Italy because of another blog-gig in development. Well, it’s up and running, called The Blend. Right now I’m doing a bit of “repurposing” on it, but the (self-imposed) parameter is to provide pertinent wine and spirits info to my colleagues in the day job, as well as anyone else who’d like to surf on by. So now, I’m a clogger too. We’re still getting our legs, but the reception (and the traffic) has been way over my expectations. I guess we done had us another baby, ma. Anyway, check it out, The Blend.

I seem to be obsessed with older television and motion picture themes lately, sorry about that. My sidekick in Austin, Dr. J, (”Hutch”) has been passively encouraging me to run this out of my system. Like it has been said so many times before, it ain’t dogma, it’s just a blog, ma.

The V.P.’s and general sales managers have been streaming out of the office to California for the end of year sales and performance reviews with the wineries, and some of them have been coming back saying we here in Texas have been showing the rest of the country how important tenacity is in these times. Having lived here all these years, I’m not sure if it is just plain stubbornness or perhaps not buying into the bicoastal American dream. You know, lots of credit, other people’s money, buy low, sell high. Or don’t even buy, just take the money and tell folks how great everything is, and don’t invest a penny. Well, we here in flyover country probably have a retinue of sins, venial and mortal on our bloodied hands, but for the time it looks like we made it through the year with only flesh wounds. We’re talking sales now folks. But 2009 is barreling past us and things are s.l.o.w.i.n.g. d.o.w.n. Duh.

I don’t mean to rant, but last week I was in two steakhouses and two Asian restaurants. The Asian places had food that seemed to be more serious. Smaller portions (and prices) higher sourcing and quality. I had a Carbonara at one of them that was better than any Italian place nearby. And I had a Bolognese at an Italian-inclined (?) concept that had nothing to do with Bolognese. So, go figure. I’m crazy. Hey, while my Austinopoli co-conspirator wants to make the world safe for Italian wine, I just want to serve man. With as little salt and garlic as possible.

I had a Petite Sirah from Seghesio and a Zinfandel from Pellegrini Family Winery this week and I loved them both. This week over a corked bottle of 2001 Brunello ( it said it was 100% Sangiovese on the label, I kid you not! ) and a better 2004 Sagrantino I chatted with Robert Pellegrini about the history of Italians growing wine in early Californian and the impact it has had on the industry. It’s part of research I am doing for a presentation in July in Sacramento for the Society of Wine Educators Conference.

So, that along with folks in Washington getting to keep their Blackberry to communicate with the outside world, that’s about all these is in my little Kanamit Cookbook tonight.

Buon Appetito!

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Original post by Alfonso Cevola